Robert C Morgan

Curriculum Vitae
Essays and Reviews



"Pierre Soulages: Painter of Black and Light," Hyperallergic, (May 14, 2014)

"Breaking the Ground Between Art and Architecture," Hyperallaergic, April 25, 2014

"Putting the 'No' in 'Nostalgic'," Hyperallergic, April 23, 2014

"Keith Sonnier's Tactile Formulations in Neon and Glass," Hyperallergic, February 7, 2014

“GEORGE ORTMAN,” The Brooklyn Rail (Mar 2012).

“JENNIFER BARTLETT’S Recitative: Fractions Between Concept and Decorum,” The Brooklyn Rail (Feb 2012).

“GABRIELE EVERTZ Rapture,” The Brooklyn Rail (Dec/Jan 2012).

“Can BOB DYLAN Paint?” The Brooklyn Rail (Nov 2011).

“FREDERICK HAMMERSLEY: The Origins of Pictorial Space,” The Brooklyn Rail (Oct 2011).

“LINDA CROSS: Excavation Painting,” The Brooklyn Rail (Oct 2011).

“La Saison de Claude-Oskar Monet, ” The Brooklyn Rail (Sept 2011). 

"IN VENICE: Schnabel and the Persistence of Art, ” The Brooklyn Rail (Sept 2011)

“Does Nordic Art Exist? A Lesson In Transculture,” The Brooklyn Rail (July- August 2011).

“INFLUENCE OR AFFINITY? Case in Paint: Soutine and Bacon,” The Brooklyn Rail (June 2011).

“Where Malevich Has Left Us Today,” The Brooklyn Rail (May 2011). 

“BEYOND “WHAT YOU SEE”:Rethinking Abstract Painting as a Signifying Process,” The Brooklyn Rail(April 2011).

“Hard-Edgeness in American Abstract Painting,” The Brooklyn Rail (March 2011)

“JENNIFER BARTLETT’S Recitative: Fractions Between Concept and Decorum,” The Brooklyn Rail(February 2011).

"Tumescent Follies, Inflated Money, and Kitschy Sex,"The Brooklyn Rail (Dec 2010 - Jan 2011).

"Audrey Flack and the Revolution of Still-Life Painting, The Brooklyn Rail (Nov 2010).

"Un Renard Dans l'Art:The Paintings of Farrell Brickhouse." The Brooklyn Rail (Oct 2010).

"Kitsch and the Avant-garde: How the Brotherhoods Set the Stage for Utopia," The Brooklyn Rail (Sept 2010).

"Kiki Smith: Allegories of Living and the Mystery of Existence, The Brooklyn Rail;(Jul-Aug 2010).

"Signs or Sex Within A Sexless (Phantasmagorical) Void," The Brooklyn Rail (June 2010).

“The Bauhaus Idea: How To Live with Art,” The Brooklyn Rail (Dec 2009 - Jan 2010). 

“Rakuko Naito: Permutation-Variant-Structure,” The Brooklyn Rail (September 25, 2009/January 15, 2010).

“Frederick Sommer's Paradigm of Art and Reality,” The Brooklyn Rail (March 2010).

“Readymades Remade(After Consumption): Detritus as Art,” The Brooklyn Rail (April 2010), p.39

“Immersion, Infinity, and the Quality of Life,”The Brooklyn Rail (May 2010).

“Reflections on the Artist Warrior,” The Brooklyn Rail (May 2010).

“Where’s the Matter?: On the Sculpture of Kenneth Snelson,” The Brooklyn Rail (April 2009).

Jack Bush, Works on Paper,” The Brooklyn Rail (May 2009).

“Graham Nickson: Italian Skies,” The Brooklyn Rail (June 2009).

>“The 11th International Istanbul Biennial: What Keeps Mankind Alive?,” The Brooklyn Rail (October 2009).

“A Tribute to Charles Seliger (1926-2009),” The Brooklyn Rail (November 2009). 

“Letter From Venice Off-Season: Art between the Biennials,” The Brooklyn Rail (September 2008). 

“Arthur Cohen,” The Brooklyn Rail (October 2008). Artseen column. 

“Medium Cool: The Case for Serrano's Hot Shit,” The Brooklyn Rail (October 2008). 

“He Sen,” The Brooklyn Rail (November 2008).

“Lee Ufan,” The Brooklyn Rail (November 2008). 

“Robert Barry: NOT THE ART OF WAR, BUT ART AND WAR,” The Brooklyn Rail (December 2008). 

“Extending the Universe: Conceptual Art, Women, and the Structuralist Paradigm,” The Brooklyn Rail (February 2008). 

“David Geiser,” The Brooklyn Rail (March 2008). 

“The Destiny of Larry Poons," The Brooklyn Rail (March 2008).

“Tadaaki Kuwayama’s Aesthetics of Infinity,” The Brooklyn Rail (April 2008). 

“Bien-U Bae,” The Brooklyn Rail (May 2008). 

“Meaning in Art,” The Brooklyn Rail (May 2008). 

“Weltanschauung and Abstract Painting,” The Brooklyn Rail (June 2008).

“Absence and the Continuum of Nature,” The Brooklyn Rail (July - August 2008). 

“A Note on Botero’s Abu Ghraib,” The Brooklyn Rail (December 2006/January 2007). 

“Gary Hill,” The Brooklyn Rail (March 2007). 

“Mayumi Terada,” The Brooklyn Rail (April 2007). 

“Tala Madani: Smoke and Mirrors,” The Brooklyn Rail (May 2007). 

“Letter from Iran,” The Brooklyn Rail (June 2007). 

“Lee Ufan's Resonance & Artempo: Where Time Becomes Art,” The Brooklyn Rail (July/August 2007). 

“Hwang Young Sung: Painter from GwangJu,” The Brooklyn Rail (December 2005/January 2006). 

“Susan Bee and Miriam Laufer,” The Brooklyn Rail (March 2006).

“In Memory of the Video Mentor: Nam June Paik (1932–2006),” The Brooklyn Rail (March 2006). 

“Whitney Biennial 2006: Day for Night,” The Brooklyn Rail (April 2006). 

“Jules Olitski,” The Brooklyn Rail (May 2006).

“Allan Kaprow (1927–2006),” by Robert C. Morgan, Wolf Kahn, and Irving Sandler, The Brooklyn Rail (May 2006). 

“Jay Milder,” The Brooklyn Rail (June 2006). 

“In Conversation: Seo-Bo Park with Robert Morgan,” The Brooklyn Rail (July/August 2006). 

“The Anti-Aesthetic of Dada,” The Brooklyn Rail (July/August 2006). 

“Jin Soo Kim,” The Brooklyn Rail (March 2005). 

“The Meaning of Silence,” The Brooklyn Rail (May 2005).

“Unraveling Cultural Globalization,” The Brooklyn Rail (July/August 2005). 

"Ryszard Wasko: Bedtime Stories,” The Brooklyn Rail (December 2003/January 2004). 

“Natvar Bhavsar,” The Brooklyn Rail (February 2004). 

“A Triple Alliance: de Chirico, Picabia, Warhol,” The Brooklyn Rail (March 2004). 

“In Conversation: Hermann Nitsch with Robert C. Morgan,” The Brooklyn Rail (April 2004). 

“Portraits in Richmond,” The Brooklyn Rail (June 2004). 

“Two Biennials, Two Models: GwangJu and Lodz,” The Brooklyn Rail (November 2004). 

“The Citadel of Art,” The Brooklyn Rail (April – May 2003). 

“The Man Who Carried His Art in His Pocket - A tribute to Fred Sandback,” The Brooklyn Rail (August 2003). 

"Another Art Story From Venice - Featuring Gina Lollobrigida!,” The Brooklyn Rail (October 2003). 



Larry Bell’s Architectonic Light: Early Cubes and Improvisations,” East of Borneo (February 2012).


“Beckett on a Heideggerian Horizon: Joseph Kosuth at Sean Kelly,” Art Critical (May 2011)

“Girlies, Flowers, and Vegetable Delights: Marjorie Strider Rediscovered,” Art Critical (Mar 2011)

“Paragon of Modernism: Esteban Vicente at the Grey,” Art Critical (Feb 2011)

“Jannis Kounellis: Hard Materials, Transcendent Light,” Art Critical (Nov 2010)

“What goes around… Audrey Flack’s Wheel of Fortune at Gary Snyder,” Art Critical (Nov 2010)

“Purloined Destiny: Julian Schnabel’s Polaroids,” Art Critical (Sept 2010)

“When Hypothesis Trumps Quality: Le Tableau at Cheim & Read,” Art Critical (Jul 2010)

“Robert Ryman: Large-small, thick-thin, light reflecting, light absorbing at PaceWildenstein,”Art Critical (March 2010)

“Zhang Huan at Pace Wildenstein,” Art Critical (Feb 2010)

“Gabriel Orozco at The Museum of Modern Art, New York,” Art Critical (Jan 2010)

“Liu Ye: Leave Me in the Dark at Sperone Westwater Gallery,” Art Critical (Dec 2009)



“Graham Nickson @ Knoedler & Company” White Hot Magazine (Oct 2011)

“Marc Seguin @ Mike Weiss,” White Hot Magazine (Apr 2011)

“Rene Pierre Allain,” White Hot Magazine (Apr 2011)

“Liao Yibai @ Mike Weiss and ATM Galleries,” White Hot Magazine (Oct 2010)

“Except from the Barcelona Diary (May 13 - 18): Josep Nicolau and Friends,” White Hot Magazine   (Jun 2010)

“Elisa Johns: Huntress,” White Hot Magazine (Apr 2010)

“D. Dominick Lombardi @ The Housatonic Museum of Art,” White Hot Magazine (Dec 2009)



Conceptual Art and the Continuing Quest For a New Social Context,"

Journal: Southern California Art Magazine (June - July 1979), Los Angeles Institute of Contemporary Art.

"Art and Physicality," A Review of The Writings of Robert Smithson )Nancy Holt, editor), New York Arts Journal #15 (September 1979). Abstract appears in Robert Hobbs, ed. Robert Smithson: Sculpture, Ithaca, NY: Cornell University Press, 1981.

"The Photograph as a Non-Sufficient Datum: A Conversation with Allan Kaprow," Journal: Southern California Art Magazine (September 1979), Los Angeles Institute of Contemporary Art.

"The Pleasure in Photographs/The Components of Language," Kansas Quarterly, Vol. 11, No. 4 (Fall 1979).

"Fables, Grids, and Swimming Pools: Phototexts in Perspective" Journal: Southern California Art Magazine (September 1979).

"Letter to Lew Thomas," Newsletter, Vol. 6, No. 5 (May 1980) Los Angeles Center for Photographic Studies.

"Transmission Aesthetics: Public Interaction and Private Awareness," A Review of Video - Architecture - Television by Dan Graham, New York Arts Journal #18 (June 1980).

"You Can't Tell a Book By Its Cover (But You Can Locate a Text By Its Spine)", Journal: Southern California Art Magazine (November 1980). Los Angeles Institute of Contemporary Art.

"New Art For the Decade Ahead," The Wichitan (January 1980).

"Cornell, Moses Soyer, and the Great West," The Wichitan (February 1980).

Review of Clement Greenberg, Art Critic by Donald Kuspit, Art Express (May 1981).

"Warhol's Portraits, Diamond Dust and the Subject of Jews", New York Arts Journal #21 (April 1981).

"Pastel, Juice, and Gunpowder: The Pico Iconography of Ed Ruscha," Journal: Contemporary Art Magazine, No. 30, Vol. 3, No. 10 (September - October 1981). Los Angeles Institute of Contemporary Art)

"Frank Stella: Lines, Curves, and Indian Birds," USA Today, Vol. 110, No. 2434 (July 1981), pp. 53-55.

"Conceptual Art and Photographic Installations: The Recent Outlook," Afterimage, Vol. 9, No. 5 (December 1981), pp. 8-11.

"Conceptual Art and the Continuing Quest for a New Social Context" (revised) in the Bulletin of the Caucus on Social Theory and Art Education, Number 2, edited by Cathy Brooks. Papers from the Caucus Program, N.A.E.A. Convention, Chicago, April 1981.

"Howard Kanovitz at Alex Rosenberg," Art in America, Nov. 1982

"Duane Hanson's Documentary Sculpture," USA Today, Vol. 110, No. 2442 (March 1982), pp. 55-57.

"Report on the Satellite Telecast Performance 'Double Entendre' produced by Douglas Davis," Leonardo, Spring 1982.

Letter, Art in America (Robert Morris), (April 1982).

"Bram van Velde at Lefebre," Art in America, September 1983.

"Sermon in Tranquility: An Interview with Gyorgy Kepes," Afterimage (January 1983).

"Gyorgy Kepes: Paintings Informed by Earth-Light," Apelles (University of Georgia, Department of Art), Winter 1983.

"Reconstructing with Shards," American Ceramics, 2/1 (Winter 1983).

"Mythical Habitats: J. B. Cobb," American Ceramics, 2/3 (Fall 1983).

"Graham Marks," American Ceramics, 3/1, 1984.

"Touch Sanitation, or Shaking Off the Material Act," High Performance # 19, 1983.

"Healing Wounds, or the Suspension of Choice," High Performance #25, 1984.

"Phrases and Revisions for 'Progress Back Stroke," White Walls #9 (Autumn 1983).

"Sequence in Art: A Theory of Image/Text Appropriation," White Walls #10/11 (Spring/Summer 1984).

"Chris Burden's Beam Drop," High Performance #27, 1984.

"A Conversation With Lawrence Weiner," Real Life Magazine #11/12 (Winter 1983).

"A Conversation with Hans Haacke," Real Life Magazine #13 (Autumn 1984).

"Nature Morte" (Review of Still Life by Peter Nadin), Afterimage, April 1984.

"Backlight" (Review of Light Graphics by Gyorgy Kepes), Afterimage, March 1985.

"Roszakograms," (Review of Photograms by Theodore Roszak), Afterimage, May 1985.

"Expert Clumsiness," (Review of Selections from Spectacles Eleven, Twelve and Thirteen (Stuart Sherman), High Performance #29, 1985.

"Waterfields: Conceptual Water Drawings," Leonardo, Vol. 17, No. 2, 1984.

"Comments on 'The Envelope As An Art Form: Computer-Aided Images," Leonardo, Vol. 17, No. 3, 1984.

"A Conversation With Michael Snow," Ear Magazine (New Wilderness Foundation, New York), vol. 9, No. 5/Vol. 10, No. 1, 1985.

"Peter Downsbrough -- According to Place," Arte Factum (Antwerp), Vol. 2, No. 10, 1985.

"Documentaries, Visionaries, Commentaries: Recent Books By and About Photographers," The Light Impressionisms Review #16 (Rochester, New York), Summer 1985.

"Books in Review (Sommer: Images/Sommer: Words by Frederick Sommer) in Print Collectors Newsletter, Vol. XVI, No. 4, September - October 1985.

"Touch Sanitation and the DeContextualization of Performance Art," Kansas Quarterly, Vol. 17, No. 3, 1985.

"James Gross," Arts Magazine (January 1985).

"Gunther Brus, Hermann Nitsch, Arnulf Rainer," Arts Magazine (May 1985).

"Jim Sanborn," Arts Magazine (June 1985).

"Hans Haacke: Working From the Inside Out," Arts Magazine (October 1985).

"Peter Nadin," Arts Magazine (November 1985).

"Hamish Fulton: The Residue of Vision/The Opening of Mind," Arts Magazine (March 1986).

"The Making of History Through the Perception of Media," Arts Magazine (March 1986).

"Form and Content: Photographers Explore Color," The Light Impressions Review #17 (Winter 1986).

"New Portraits: Who We See; How We See," The Light Impressions Review #17 (Winter 1986).

"The Still and the Narrative Image: Retrospectives in Book Format," The Light Impressions Review #18 (Summer 1986).

"Books in Review" (Barakei: Ordeal by Roses by Eikoh Hosoe) in The Print Collectors' Newsletter, Volume XVII, No. 2, May - June, 1986.

"Who Was Joseph Beuys?" (cover feature), High Performance #33, 1986.

"Recordings" (Paul McMahon, rat at rat r, and Christian Marclay: Record Without a Cover), High Performance #34, 1986.

"Manhattan Shortcuts" (Media Hostages by Branda Miller; Chip Lord, and Muntadas, Museum Reaction Piece by Howard Fried; and Nightsea Crossing by Ulay/Marina Abramovic), Afterimage (Summer 1986).

"James Wellings' Galatin Landscape (1985)," C.E.P.A. Quarterly (Summer 1986).

"Reviews: Hudson and Brendon de Vallance" and "John Sturgeon and Aysha Quinn - Chariot Chamber," High Performance #33, 1986.

"The Look" (Review of John Chamberlain, MOCA), The Village Voice (August 26, 1986)

"Francesca Woodman: Photographic Work," C.E.P.A. Quarterly (Fall 1986).

"The Extended Logo," C.E.P.A. Quarterly (Fall 1986). Reprinted in SPOT (Houston Center for Photography), Fall 1986.
"Your TV Becomes My Mania," Afterimage (Nov. 1986).

"Three South American Women Artists," High Performance #35 (Fall 1986).

"Signs of the Times" (Reviews of Victor Burgin and Oskar Schlemmer exhibitions), Afterimage (Jan. 1987).

"Pluralism as the Accommodation of Style," Real Life Magazine #16 (Autumn 1986).

"Richard Long: Post-Structural Encounters," Arts Magazine (February 1987).

"The Catalog and the Exhibition," C.E.P.A. Quarterly, Volume 2, Issue 2 (Winter 1987).

"The Photographers' Photographer: A Portrait of Nathan Lyons," C.E.P.A. Quarterly, Volume 2, Issue 2 (Winter 1987).

Guest Editor - "The Future of Hedonism and Sports Events," New Observations #46 (Winter 1987). Issue includes contributions by Allan Kaprow, Nancy Holt, Collins and Milazzo, Peter Nadin, Jeremy Gilbert-Rolfe, John Baldessari, Judite dos Santos, Douglas Huebler, Rosalyn Drexler and Sherman Drexler.

"Binary Fission" (John Pfahl), Afterimage, Vol. 14, No. 9 (April 1987).

"High-Tech TV: Low-Level Content/Fast-Moving Ads," High Performance #37, Vol. 10, No. 1 (Spring 1987).

"Peter Nadin: Style and Sign," (Cover Feature) Arts Magazine (May 1987).

"Tales From The Dark Side," Afterimage (June 1987).

Book Review: Corinne Robins, The Pluralist Era: American Art, 1968-1981 in Art Criticism, Vol. 3,, No. 2 (1987), pp. 88-94
Review: "David Diao at Postmasters Gallery" in C Magazine #14 (Summer 1987)

"Midwest Roundup," The Village Voice (August 18, 1987)

"A Whitney Sampler," Afterimage, Vol. 15, No. 2 (September 1987)

"The Spectacle in Time: A New Look at Art and Technology," Arts Magazine (October 1987)

"In the Vicinity of Dodge City," White Walls #17 (Autumn 1987). Reprinted in C.E.P.A. Quarterly, Vol. 2, Issue 3 & 4 (Spring/Summer 1987)

"In the Space of Androgyny" (On the Centennial Birthday of Marcel Duchamp, 1887-1987), High Performance #39 (Autumn 1987)

"Reviews: Philip Glass and Elizabeth Streb," High Performance #39 (Autumn 1987)

"Mistaken Documents: Photography and Conceptual Art," C.E.P.A. Quarterly, Vol. 2, Issue 3 & 4 (Spring/summer 1987)

"American Sculpture and the Search for a Referent," Arts Magazine (November 1987)

"Jan Dibbets," Flash Art (November/December 1987)

"Sherrie Levine: Language Games," Arts Magazine (December 1987)

"Reviews" (Komar and Melamid, Peter Hutchinson, David Geiser, Invitational at John Weber Gallery), Arts Magazine (December 1987)

"The Making of Wit: Joseph Kosuth and the Freudian Palimpsest," Arts Magazine (January 1988)

"Reviews" (Elaine Sturtevant, Catalina Parra, Rita Myers, Gary Nickard, Chihung Yang), Arts Magazine (January 1988)

"Joseph Kosuth," Flash Art (January/February 1988)

"What is conceptual Art, Post or Neo?" Arts Magazine (March 1988)

"On John McLaughlin's Paintings of the 1960's," Arts Magazine (March 1988)

"Reviews" (Joseph Nechvatal, Hamish Fulton, Jeremy Gilbert-Rolfe, Ana Mendieta), Arts Magazine (March 1988)

"Kerouac’s Vanity and the Novel of Inner Speech," Moody Street Irregulars, No. 18 & 19, Fall 1987.

"Joshua Neustein," Flash Art, No. 139 (March-April 1988)

"Robert Barry's Return to the Visible," Arts Magazine (April 1988)

"Michael Taylor's Metaphors of Energy and Light," New Work (Glass) #33 (Spring 1988)

"The Icon Without the Image," Art Criticism, Vol. 4, No. 2 (Spring 1988)

"'Let One Hundred Flowers Bloom,' David Diao and the Modernist Monogram," Arts Magazine, Vol. 69, No. 9 (May 1988)

"Art Reviews" (Sara Jane Roszak, Betty Goodwin, Convergencies/Convergencias, Thomas Bang, Roni Horn, Anselm Kiefer), Arts Magazine (May 1988)

"Robert Morris" (spotlight), Flash Art, No. 140 (May-June 1988)

"Vito Acconci" (feature), Flash Art, No. 140 (May-June 1988)

"Meaningful Geometry" and "Marcel Duchamp" Flash Art, No. 140 (May-June 1988)

Reviews: "Allan Kaprow," "Robert Greene," and "Yvonne Jacquette," Flash Art, No. 141 (Summer 1988)

"Anti-Style, or the Installation as a Pleasurable Text," ARTS (June 1988)

Book Review: "The Eye of Prey: Subversions of the Postmodern" by Herbert Blau, High Performance #41/42 (Spring/Summer 1988)

Artist's Statement ("The Function of Art in Culture Today"), High Performance #41/42 (Spring/Summer 1988)

"Paintings by David Geiser" and "James Surls: Sculpture," Dialogue, Vol. 11,  No. 4 (Summer 1988)

"Conceptual Art Into Photography/Photography Into Conceptual Art," Insight (Bristol Workshops in Photography), (Winter-Spring 1988)

Reviews (Ming Fay, Geometric Abstraction, Liz and Val, Ed Ruscha, Hiroshi Sugimoto, Group Material, Joel Janowitz, Ericka Beckman), ARTS (September 1988)

Reviews (10 Latino Artists, Paul Thek, David Hockney, Ree Morton, Frank Gehry), ARTS (October 1988)

"The Spectrum of Object - Representation," ARTS, Vol. 64, No. 2 (October 1988)

Reviews (Smithson, Serra, Heizer), ARTSCRIBE (Sept. - Oct. 1988)

"Muntadas," El Guia (Barcelona), Fall 1988 Reviews (group shows at Lillejohn-Smith, Lorence / Monk, and Whitney Program at Ward-Nasse), ARTSCRIBE (Nov. - Dec. 1988)

"Arnold Mesches," ARTS, Vol. 64, No. 3 (November 1988)

Reviews (John Duff and Haim Steinbach), Flash Art (October 1988)

"From Topology to Heterology," ARTS, Vol. 64, No. 4 (December 1988)

Reviews (Gunther Forg, James Welling, Sally Mann, Ken Heyman, The 30s and 40s: Paintings by Women Artists, Ludwig Sander, David Hare, and The Last Temptation of Christ), ARTS (December 1988)

"Letter From Europe," "ARTS, Vol. 63, No. 5 (January 1989)

"Bill Viola's Paradigmatic Mind-Set/With an Eye Toward History," CEPA Quarterly, Vol. 3, Issues 2 & 3 (Winter/Spring 1988)

"Fatal Strategies" (Review), CEPA Quarterly, Vol. 3, Issues 2 & 3 (Winter/Spring 1988)

Review "Camouflage" (Phillipe Tomas, Paul Graham, Sam Samore, Ian Hamilton Finlay, Ian Wallace), ARTSCRIBE (January - February 1989)

Review: "Lydia Lunch," High Performance #44 (1988)

Book Review: "Rough Edits: Popular Image Video Works 1977-1980" by Dara Birnbaum, High Performance #144 (1988)

"Eccentric Abstraction and Postminimalism", Flash Art, No. 144 (January - February 1989)

"Richard Serra Interview," Flash Artnews (Supplement to No. 144), (January - February 1989)

Reviews: "Igor Kopystianski and Svetlana Kopystianska," "Barry LeVa", and "Jasper Johns, David Salle, and Bruce Nauman," Flash Art, No. 144 (January - February 1989)

Review: "Concetta Mason: Reconstructed Vessels" at Heller Gallery, New Work, No. 36 (Winter 1989)

"Performance and Spectacle in the Post-Industrial Age," RAMPIKE, Vol. 6, No. 2 (Winter 1989)

"The Situation of Conceptual Art," and "The Return of Arthur Rose", ARTS, Vol. 63, No. 6 (February 1989) (Cover Feature)

Reviews (Tony Tasset, John Franklin, Ronald Jones, Ed Ruscha, Ellsworth Kelly, Ross Bleckner, John Ahearn, Literary Visions, and Claire Seidl), ARTS, Vol. 63, No. 6 (February 1989)

Reviews: (David Park, Georgia O'Keeffe, Mel Bochner, Alberto Burri, Painting Degree Zero, Graham Marks, Joseph Beuys, and Christian Boltanski), ARTS, Vol. 63, No. 7 (March 1989)

Reviews: (Dennis Oppenheim, Wolfgang Staehle, Serge Kliaving, Barbara Kruger, Conrad Atkinson, Diagrams and Surrogates, Nonrepresentation, Nature, Walter Darby Bannard, Mary Lucier, Philippe Favier, Six Flemish Artists), ARTS, Vol. 63, No. 8 (April 1989)

Reviews: (Gilbert Hsiao, Marilyn Lerner, Hans Breder, Bonnie Rychlak, Richard Artschwager, Pre-Pop, Post-Appropriation, Saul Ostrow, Yrshai Jusidman, Dorothea Tanning, Hermann Nitsch), ARTS, Vol. 63, No. 9 (May 1989)

Review: "Fluxus," (MOMA, NY), Flash Art (May - June 1989)

Review: "John McLaughlin at Andre Emmerich," ARTSCRIBE (May 1989)

Reviews: (New Image Painting: Argentina In the Eighties, Robert Rohm, Dana Nelson, Archie Rand, Liz Larner, Thomas Schulte, Roni Horn, Adrian Piper, Gregory Botts, Seymour Boardman, Lawrence Calcagno, Richard Rubens) ARTS, Vol. 63, No. 10 (Summer 1989)

"LeWitt, Staehle, Smith," ARTS, Vol. 63, No. 10 (Summer 1989)

"Concept, Idea System," ARTS, Vol. 64, No. 1 (September 1989)

"Formalism as a Transgressive Device," ARTS, Vol. 64, No. 4 (December 1989)

"Beth Lapides," High Performance, No. 47 (Fall 1987)

"Extended Logos: Personalities and Techno-Products," CEPA Quarterly, Special Issue, Vol. 4, Issue 1, 1989; (Guest Editor, included work by R. Kostelanetz, H. Blau, J. Williamson, A. Muntadas, N. Burson, A. Codreseu, R. Jones, G. Nickard, Komar & Melamid, and cover by Barbara Kruger.)

"Pull My Daisy, Fie My Fum - The Everlasting Underground Film of the Fifties," Moody Street Irregulars, No. 22 & 23 (Spring 1990)

"Joel Levinson and the Loss of Representation," New Art International, (January - February 1990)

Statement on Racism, M/E/A/N/I/N/G, #7 (May 1990)

Review: "The Body: Fragments, Parts, and Wholes" (curated by Saul Ostrow), Tema Celeste, No. 25 (1990)

Review: "Buzz Spector" Tema Celeste, No. 26 (1990)

Review: "Hamish Fulton" Tema Celeste, No. 27 (1990)

"Jeff Koons" New Art International, 5th Year, No. 8 (June - July 1990)

"Annette Lemieux" New Art International, 5th Year, No. 8 (June - July 1990)

"Jenny Holzer" New Art International, 5th Year, No. 8 (June - July 1990)

"Dick Higgins" High Performance, #51 (Fall 1990)

"Declassified" Real Life Magazine (10 Year Anniversary 1990)

"Cynicism and the Choice of Action," Lund Art Press, Vol. 1, No. 4 (Sweden), 1990

"Regaining the Rights to Reproduction: Artists Who Look Back at Nature," Woodstock Center for Photography Journal (Woodstock, New York), Fall 1990

Book Review: "Postmodern Currents: Art and Artists in the Age of Electronic Media" by Margot Lovejoy (UMI Press) in ARTS (October 1990)

Book Review: "Post-Pop Art" edited by Paul Taylor (Flash Art/MIT Press) in ARTS (November 1990)

"Visual Improvisations: The Paintings of Miles Davis," ARTS (January 1991)

"Cady Noland" Tema Celeste, No. 29 (January - February 1991)

"What Makes Modern Art 'Modern'?" (Interview With Kirk Varnedoe), Tema Celeste, No. 29 (January - February 1991)

"Howard Hodgkin," ARTS (February 1991)

"Stuart Sherman," High Performance #52 (Winter 1991)

"Trans-Europe Express" (Review), New Art International (Paris), (February 1991)

"Summer Group Show at John Weber," New Art International (Paris), (February 1991)

"Starn Twins: In the Process of De/Constructing," New Art International (Paris), (February 1991)

"Does the Trace Remain? The Plight of the International Artist," New Art International (Paris), (February 1991)

"Piero Manzoni," ARTS (March 1991)

"Carla Accardi," Tema Celeste, No. 30 (March - April, 1991)

"Les Levine," (Review), Tema Celeste, No. 30 (March - April 1991)

"Physicality and Metaphor: The Paintings of Sean Scully," Art Journal, Vol. 50, No. 1 (Spring, 1991)

"Word, Document, Installation," ARTS, (May 1991)

Dorothea Rockburne," ARTS (May 1991)

Book Review: David Craven, The New Concept of Art and Popular Culture in Nicaragua Since the Revolution in 1979," M/E/A/N/I/N/G #9 (1991)

Book Review: "Patterns of Desire" by Joyce Kozloff, M/E/A/N/I/N/G #9 (1991)

"John O'Keefe," High Performance #53 (Spring 1991)

"What Is a 'Group Show'?" Tema Celeste, No 31 (May - June 1991)

Reviews: David Reed, David Row, Arte Debole, Robert Rauschenberg, Tema Celeste, No. 31 (May - June 1991)

"Report From Paris," COVER, Vol. 5, No. 6 (Summer 1991)

"The Exhibition Catalog as a Distancing Apparatus: Current Tendencies in the Promotion of Exhibition Documents," Leonardo, Vol. 24, Issue 3 (1991)

"The Fluxus Phenomenon," Lund Art Press (Sweden), Vol. 2., No. 2., (1991)

"New York Diary," ARTS (October 1991)

Book Review: "The New Concept of Art and Popular Culture in Nicaragua Since the Revolution in 1979," by David Craven (1st version), Leonardo, Vol. 24, Issue 5 (1991)

Book Review: "Mary Frank" by Hayden Herrara, M/E/A/N/I/N/G #10 (1991)

Book Review: "Art and Discontent" by Thomas McEvilley, M/E/A/N/I/N/G #10 (1991)

Reviews: Ron Janowitz, Zorio / Bickerton / Winters, Willard Boepple, Tema Celeste, No. 32 (Fall 1991)

"Interview with Allan Kaprow," Journal of Contemporary Art, Vol. 4., No. 2 (Fall/Winter 1991)

"Dada to Data," COVER, VOL. 5, NO. 7 (September 1991)

"Designer Death," COVER, Vol. 5, No. 8 (October 1991)

"Nancy Grossman and Jim Dine," COVER, Vol. 5, No. 9 (November 1991)

"Ecstasy and Agony," COVER, Vol. 6, No. 1 (January 1992)

"Nancy Grossman," ARTS (January 1992)

"Ross Neher," ARTS (February 1992)

"The New Endgame," Tema Celeste, No. 33 (Winter 1992)

"Morality - American Style," Tema Celeste, No. 33 (Winter 1992)

Reviews: Jenny Holzer, Cyrilla Mozenter, Jesse Goode, L'Amour d'art (Lyon), Tema Celeste, No. 33 (Winter 1992)

"The Audible Voice in the Moment of Crisis: The Crux of Criticism," ACME (New York), 1992, Edited by J. Decter and J. Miller, "Metacriticism"

"The New (Art) Market," COVER, Vol. 6, No. 2 (March 1992)

"Environment, Site, Displacement," Sculpture, (March 1992)

"After the Deluge: The Return of the Inner-Directed Artist," ARTS (March 1992)

"Bruno Gironcoli," ARTS (March 1992)

"Space-Time and Space" (Gunther Forg and Daniel Buren), ARTS (April 1992)

"Homeless Clothes: Fashion or Art" (Lois Nesbit), COVER (April 1992)

"Jeff Koons at Sonnabend" LAPIZ, #84 (February 1992)

"Objects, Cynical Sex," COVER (May 1992)

Statement, "A Round-Table on Criticism," M/E/A/N/I/N/G, #11 (1992)

Review of Art After Philosophy and After by Joseph Kosuth (MIT, Cambridge, 1991), M/E/A/N/I/N/G, #11 (1992)

"Carolee Schneemann's Viet Flakes," SULFUR #30 (Spring 1992)

"Anger + Rhetoric = Business," COVER (Summer 1992)

"Thomas Kovachevich at Curt Marcus," Artnews, Vol. 9, No. 6 (Summer 1992)

"Edward Ruscha and Dennis Hopper at Tony Shafrazi," LAPIZ #87 (May - June 1992)

"Andrea Belag at Richard Anderson," LAPIZ #87 (May - June 1992)

"The Investment Power of Amnesia," Tema Celeste #36 (Summer 1992)

"Psycho," Tema Celeste #36 (Summer 1992)

"Formalism as a Transgressive Device," RAMPIKE, Vol. 7, No. 3 (1992).

"Clemente's Dilemma: The Spiritual and the Secular", Lund Art Press, Vol. 2, No. 3, (1992)

"Interview With Alain Kirilli," Journal of Contemporary Art, Vol. 5, No. 2 (Fall 1992)

"The Subversive World of John Heartfield," Sulfur 31 (Fall 1992)

"Art Worlds and Artists" COVER (September 1992)

"Fear of Exhibitions," COVER (October 1992)

"Discursive Art Notes" COVER (December 1992)

"To Make a Point," COVER (Winter 1993)

Comment in "Sites of Criticism," ACME, Vol. 1, No. 2 (1992)

"Not A Simple Word - Picture," (Reviews of Envisioning Information by Edward Tufte and Structure of the Visual Book by Keith A. Smith) American Book Review, Vol. 1, No. 6 (February - March 1993)

"American Gender," Tema Celeste #39 (Winter 1993)

Reviews: Eva Hesse and Kenny Scharf, Tema Celeste #39 (Winter 1993)

"The Designs of Hoffmann," COVER (March 1993)

"The Overlay, the Underlay, the Metamorphoses" in New Observations (Guest edited by Joseph Nechvatal), #94 (March/April 1993)

"What Are The Symptoms?" COVER (April 1993)

"Book Reviews: On Innovative Art (ist)s: Recollections of An Expanding Field by Richard Kostelanetz and Art and Otherness: Crisis in Cultural Identity by Thomas McEvilley in M/E/A/N/I/N/G #13 (MAY 1993)

"Performance and Spectacle," Tema Celeste (International Edition), No. 40 (Spring 1993)

"Myth and Stature: Clemente and Schnabel," COVER (March 1993)

"Fin de Siecle," COVER . (May 1993)

"Bits of Modernism," COVER (Summer 1993)

"Martin Ball," COVER (Summer 1993)

"Fluxus Adventure: From Pop to Eternity" COVER (September 1993)

"Artists Who Changed the World" (French Biennial) COVER (October1993)

Book Reviews: The Dialectic of Decadence by Donald Kuspit and Modernities: Art Matters in the Present by Joseph Masheck in M/E/A/N/I/N/G #14 (November 1993)

"Il Genere Americano," ("American Gender"), Tema Celeste No. 42-43 (Autumn 1993), Italian Edition

"Doing Art In Poland: Trying Not to Make Sense," COVER (December 1993 - January 1994)

"Automne a New York," Art Press, No. 187, International Edition (January 1994)

"Who is Douglas Huebler?" and "Antonio Muntadas" , Kunstforum (International), Bd. 125 (January/February 1994)

"Stalinist Art, Longo, Orlan," COVER (February 1994)

"Martin Mull" (Interview), COVER (March 1994)

"Structure, Repetition, and "The Body," COVER (April 1994)

"Walking Through Spaces (Uptown and Downtown)," COVER (May 1994)

"Peintures pour un hiver," Art Press, No. 190, International Edition (April 1994)

"Reversing Paradigms," M/E/A/N/I/N/G # 15 (May 1994)

"Beat Symposium," COVER (Summer 1994)

"Helen Frankenthaler: Prints and Works on Paper," Contemporary Art, (UK) Vol. 2, No. 3 (Summer 1994)

"Selected Happenings in Lodz," New Observations #102 (Double Issue, July - October,1994) Guest Editor: Suzi Sureck

"Summer on the Installation Plan," COVER (September 1994)

"Bald Guys, Dead Birds, and the Gaping Earth," COVER (October 1994)


"Lost Ramparts of Modernity,: COVER (November 1994)

"The Great Oppenheim," COVER (January 1995)

"Deklasifikovano" (Declassified), Projekart (Number 4, Published in Jovina, Slovenia), December 1994

"Violating the Codes of Fashion," COVER (March 1995)

"Nauman's Lightness," COVER (April 1995)

"Signs in Flotation," The New Art Examiner, Vol. 22, No. 8 (April 1995)

"The Whitney Biennial and Other Delights," COVER (May 1995)

"Days at Mitzpe Ramon (Israel)," COVER (Summer 1995)

Book Review: Jacques Derrida, Specters of Marx: The State of the Debt, The Work of Mourning, and the New International, Trans. Peggy Kamuf (Routledge, New York and London, 1994) in M/E/A/N/i/N/G #17 (May 1995)

"Beatific Culture on Both Coasts," COVER (October 1995)

"Canvas, Resin, and Fiberglass: Visual Poems and Rhythmic Bar Codes, COVER (November 1995)

Reviews: Michael Goldberg, Dennis Kardon, Melissa Meyer, Robert Yasuda, Thomas Bang, Wenda Gu, The New York Intelligencer, Vol, 1, Issue 2 (Winter 1995)

"(In Process)" NY (SoHo) Arts Magazine, Premiere Issue (July/August 1995)

"The Boredom of Cezanne," NY (SoHo) Arts Magazine #2 (September 1995)

"What is an Image?" (CD ROM), Art Look, Inc.,1995

"Total Voyeurism: Painting is Not a CD-ROM," COVER (December 1995 - January 1996)

"Mondrian Fever" (Book Reviews) M/E/A/N/I/N/G #18 (November 1995)

"Hans Bellmer: L'invasion d' Eros" (The Infestation of Eros) Art Press #207 (November 1995), pp. 33-38

"Les representations du portrait: alterite et diversite " (Representing the Portrait: Alterity and Diversity), Art Press #211 (March 1996)

"Latitudes eclatees" (Shattered Latitudes), Art Press #212 (April 1996)

Tadaaki Kuwayama," Flash Art, Vol. XXIX, No. 191 (November - December 1996)

"Trois strategies personnelles" (Three Strategies), Art Press #213 (May 1996)

"Here in Town, the Scene, not the Screen," COVER (May 1996)

"Pepon Osorio, Badge of Honor," Time Out New York, issue 34 (May 15-22, 1996)

"Ross Bleckner," Time Out New York, issue 37 (June 5-12, 1996)

"Per Kirkeby," Time Out New York, issue 39 (June 19-26, 1996)

"Letter to the Editor", The Village Voice, Vol. XLI, No. 26 (June 25, 1996)

"Damien Hirst: Circus without a Tent," REVIEW (June 1996)

"The End of the (Art) World." Art Criticism, Vol. 11, No. 1 (Spring 1996)

"Moving Images," (Review of the Third Biennial of Lyon, France) Performance Arts Journal, Vol. XVIII, No. 2 (May 1996)

"State of the Art from the Lyon Biennial," COVER, Vol. 10, No. 3 (April 1996)

"Diverse Updates: Art, Film, Design, Sculpture, and Painting," COVER Vol. 10, No. 3 (April 1996)

"Tales at the End of a Season: Kitsch, Power, Constructivism, and Fantasy," COVER, Vol.10. No. 6 (Summer 1996)

"Shopping at Deitch Projects," (cover) REVIEW (September 15, 1996)

"le statut du kitsch / Kitsch Today," Art Press No. 217 (October 1996)

"Rodney Graham at Nicole Klagsbrun," REVIEW (September 15, 1996)

"Means of Abstraction: Terence La Noue and Michael Venezia," REVIEW (October 15, 1996)

"Artaud at MOMA: Aesthetic of the Abject," REVIEW (November 1, 1996)

"Warhol and Basquiat: Bad History" (feature) and "David Jeffery," REVIEW (October 1, 1996)

"Angiola Churchill at Myung Sook Lee" REVIEW (November 1, 1996)

"Kelly's Dilemma" (feature) and "William Steiger," REVIEW (December 1, 1996)

"The Hugo Boss Prize 1996" (cover) and "Gary Hill," REVIEW (December 15, 1996)

"Watch You Calories at the Galleries: Advice Not Advocacy from a Critic." COVER Vol. 11, No. 2 (April / May 1997)

"Beatrice Wood: In the Spirit of Dada," The Appraiser: The Newsletter for Personal Property Appraisers (Second Quarter 1997)

"Carter Xavier Veilhan / Matthew McCaslin: Works from the Neumann Family Collection," at the French Cultural Services COVER (Vol. 11, No. 4), 1997.

"Michal Sedaka's Resolute Gesture," COVER, Vol. 11, No. 1 (February/March 1997)

"Alex Katz / Louise Lawler / Ted Victoria," Art Press No. 224 (May 1997)

"The Question of the Metaphor," New Observations #116 (Fall 1997)

"The Other Biennals, "NY Arts Magazine #13 (September 1997)

"Il premio Hugo Boss a New York / The Hugo Boss prize in New York" DOMUS No. 791 (March 1997)

""Bruce Conner: Engraving Collages and Films," NY Arts Magazine #12 (July 1997)

"Yayoi Kusama: Consciousness Regained," NY (SoHo) Arts Magazine #6 (January 1997)

"The Dutch Tide," NY Arts Magazine #9 (April1997)

"Jacques Roch / Carolee Schneemann," Art Press No. 221 (February 1997)

"The Destructivism of Raphael Montarez Ortiz" (feature) REVIEW (January 15, 1997)

"Bill Viola's Simulated Transfiguration" (feature) and "Susan Bee" REVIEW (February 1, 1997)

"Late DeKooning: The Problem Beneath the Pleasure" (feature), "Ross Neher" , "Barbara Pollack," and "The Ideal Object," REVIEW (February 15, 1997)

"Blanca Lloret: Beyond the Terminal Absence" (feature) and "Arnold Mesches," REVIEW (March 1, 1997)

"Sidney Tillim and the Triumph of Visual Pleasure" (feature) REVIEW (March 15, 1997)

Whitney Biennial Makes History: The End of Installation" (feature), "Mac Adams and Michael Snow," and "Mark di Suvero" REVIEW (April 1, 1997)

"Video Time: Keith Sonnier and Hiroshi Sugimoto" (feature) REVIEW (April 15, 1997)

"Antonio Petracca and the Order of Syntax" (feature) REVIEW (May 1, 1997)

"The Fundamental Theology of Gilbert and George" (cover) REVIEW (May 15, 1997)

"In the Eye of the Tiger: A Survey of Contemporary Korean Art" REVIEW (June 15, 1997)

"West Chelsea: An Experiment in Attitudes and Architecture" (summer feature) REVIEW (July/August 1997)

"Thomas Nozkowski" REVIEW (September 15, 1997)

"Where Spectacle Meets Art: Yves Klein" (cover) REVIEW (November 1, 1997)

"Barbara Kruger: Power, Seduction, and Kitsch" REVIEW (November 15, 1997)

"Rauschenberg, Supply Side Art & Canoeing," REVIEW (December 1, 1997)

"Kevin Clarke" and "Mona Hatoum," REVIEW (December 15, 1997)

"A Sign of Beauty," SPACE (Seoul), No.362 (1998) (Korean translation)

"The Story of the Other," PAJ No.58 (1998)

"The Mistaken Legacy of Burne-Jones," COVER, Vol. 12, No. 4 (1998)

"Linda Cross: Land Marks," NY Arts Magazine #16 (December 1997/January 1998)

"Two Gestures/Two Attitudes," COVER, VOL. 12, NO. 3 (1998)

"Nancy Grossman: Opus Volcanus," Sculpture, Vol. 17, No. 6 (July/August 1998)

"Rudolf Steiner: Blackboard Drawings, 1919-24," NY Arts Magazine #19 (March 1998)

"Ryszard Wasko: A Discourse on Intimacy," NY Arts Magazine #18 (February - March 1998)

Bruce Conner: Persistence of Vision," SPACE, No.368 (1998) (Korean translation)

"Man Ray's Porno Seizures" (feature) "Paul Pagk" and "Paul Forte" REVIEW (January 15, 1998)

"Abstraction" (M-13 Gallery),"Zigi Ben-Haim", "Stephen DiCillo", "Alison Knowles", and "Richard Pousette-Dart" REVIEW (February 1, 1998)

"Anselm Kiefer: Painting and the Deep Space of Time," REVIEW (February 15, 1998)

"The Return of Richard Tuttle," REVIEW (March 1, 1998)

"Arthur Dove," REVIEW (March 15, 1998)

"Bruce Conner" and "Howard Buchwald" REVIEW (April 1, 1998)

"Michael Mulhern" and "Helmut Federle" REVIEW (April 15, 1998)

"Garth Evans" (feature) REVIEW (May 1, 1998)

"Josef Albers" and "Marco Breuer" REVIEW (May 15 1998)

"Up On The Roof: The Met and the (Continuing) Dilemma of Ellsworth Kelly's Sculpture," REVIEW (June 1, 1998)

"Theresa Chong / Carol Szymanski" Art Press # 236 (June 1998)

“Jan Zakrzewski,” Art Press (February 1998), p. 70

"San Francsico Blues" (feature) REVIEW (September 15, 1998)

"North and South Connected" (Cecilia de Torres Gallery),"Sigmar Polke", and "Urban Romantics I" (Lombard Freid Gallery) REVIEW (December15, 1998)

"The Anti-Aesthetic, Careerism, and Art Schools," New Observations #118 (Spring 1998) (including photograph of "sand/floor piece," 1976/94)

"Bill Viola" (feature), DOMUS No. 805 (June 1998) Italian/English Trans.

"Constructivist Roots" (Cecilia de Torres Gallery), "Stephen De Staebler," and "The Information Age" (Susan Inglett Gallery) REVIEW (June 15, 1998)

"Sol LeWitt: Jugendstil Meets Sixties Psychodelia," COVER, Vol. 12, No. 6 (1998)

"Noritoshi Hirakawa" and "Jannis Kounelis" REVIEW (October 1, 1998)

"Eija-Liisa Ahtila" REVIEW (October 15, 1998)

"Max Estenger" REVIEW (November 1, 1998)

"Beat Pollock" (cover) REVIEW (November 15, 1998)

"Art and Criticism in Medellin," AICA - USA Newsletter (Fall 1997/Winter 1998)

"Journal Entry: Seoul, Kwangju, Taegu," NY Arts, No. 17 (January-February 1998).

Joel Shapiro / Hamish Fulton," Art Press No. 242 ( Jan 1999) French/English Trans.

The Heroine-ism of Audrey Flack" (cover) REVIEW (January 15, 1999)

"Reappraisal: Anselm Kiefer at the Metropolitan Museum" REVIEW (February 1, 1999)

"Papa Colo at Exit Art" and "Alan Shields / Larry Zox" REVIEW (February 15, 1999)

"Tim White at Alexander de Folin" and "Bart Domburg at Gasser/Grunert" REVIEW (March 1, 1999)

"Miguel Berrocal: The Puzzle of Existence," Sculpture, Vol. 18, No. 3 (April 1999)

"The Koan," Review, Vol. 4, No. 13 (April1, 1999)

"Gene Berry at Mitchell Algus" and "Dennis Oppenheim at Joseph Helman, " REVIEW (March 15, 1999)

"Conceptually Based Video Art," NY Arts, Vol. 4, No. 3 (March/ April 1999).

"Letter from Newark," NY Arts, Vol. 3, No. 4 (April 1999).

"Calligraphy After Postmodernism: The Art of Fung Ming-Chip," NY Arts, Vol. 4, No. 6 (June 1999).

"Humanist Geometry, Tony Smith: Architect, Painter, Sculptor," Art Journal, Vol. 58, No.2 (Summer 1999).

"Sean Scully: Building Time," NY Arts, Vol. 4, No. 7 (July/August 1999).

Conceptualism: Reevaluation or Revisionism?, on Global Conceptualism: Points of Origin 1950s-1980s, Art Journal, Vol. 58, No. 3 (Fall 1999).

Nancy Rubins, Paul Kasmin Gallery, Sculpture, Vol. 18, No. 8 (October 1999).

"The Politics of Color Field Painting: Dumisani Mabaso," NY Arts, Vol. 4, No. 10 (October 1999).

"Unmasking Installation Art in America," REVIEW, December 1, 1999.

Chuck Close, Flash Art (May-June 1998), Spotlight, p. 95.

Ann Hamilton, NY Arts (September 1999). Page 28.

“Minimalia: Reduction, Phenomenology, and Essence,” NY Arts (November 1999). Page 14.

Yvonne Thomas at Denise Bibro Fine Art, Review, January 15, 2000.

The American Century II, Art and Culture 1950-2000, Whitney Museum of American Art, Art Press, No. 253 (January 2000).

"Artists Photographs: Straight and Sequential," NY Arts, Vol. 5, No. 2 (February 2000).

Thomas Nozkowski at Max Protetch Gallery, Review, March 1, 2000.

Maciej Toporowicz at Lombard-Fried Fine Arts, Review, March 1, 2000.

Bill Beckley at John Gibson Gallery, Review, March 15, 2000.

Lucio Fontana at Sperone Westwater Gallery, Review, March 15, 2000.

John Mullen at M-13/Howard Scott Gallery, Review, March 15, 2000.

Painting Abstraction at the New York Studio School, Review, March 15, 2000.

"The Dilemma of Contemporary Abstraction," Abstract Dilemmas, American Abstract Artists Journal, New York, 2000

Philip Guston at McKee Gallery, Review, March 15, 2000.

Digital Hybrids, McDonough Museum of Art, Art Press, No. 255 (March 2000).

"Light Years Ahead: Stan Brakhage," NY Arts, Vol. 5, No. 3 (March 2000).

"Global Grooving at the Guggenheim: Nam June Paik," Sculpture, Vol. 19, No. 3 (April 2000). Trans. Korean, Wolgan Misool, February, 2000

"An American Show with a Hero (Hans Haacke)", Review, April 1, 2000.

Blanca Lloret at Jan Van Der Donk, Review, April 15, 2000.

"Metronome (Ginzel/Jones)" Sculpture, Vol. 19, No. 4 (May 2000).

Tony Feher, DíAmelio Terras, Art Press, No. 257 (May 2000).

"Mario Segundo Perez, Painter of Landscapes," NY Arts, Vol. 5, No. 6 (June 2000).

"In Memory of Ruth Benzacar," NY Arts, July/August 2000.

"Tadaaki Kuwayama: The Reversal of Form as Pure Space," Sculpture, Vol. 19, No. 6 (July/ August 2000).

"Pierre Molinier, Androgyny, Etc." NY Arts, Vol. 5, No. 9 (September 2000).

"Common Ground World Mandala," Ceramics Monthly, Vol. 48, No. 7 (September 2000).

"Dublin's Delightful, Provocative Feast of Art," NY Arts, Vol. 5, No. 10 (October 2000).

"The Globalized Artist in the New Millennium," Sculpture, Vol. 19, No. 8 (October 2000).

"Les Expositions de l'Ete, Divers lieux 2000," Art Press, No. 261 (October 2000).

"Towards Utopia: Osaka, Japan," NY Arts, Vol. 5, No. 11 (November 2000).

"Thermography: A Medium for Conceptual Art?," NY Arts, Vol. 5, No. 11 (November 2000).

"Jitka Hanzlova FEMALE," NY Arts, Vol. 5, No. 12 (December 2000).

Corban Walker: Mapping Space, Glass, No. 81 (Winter 2000)

"Art Odyssey 2001" Wolgan Misool (Seoul) , January 2001.

"John Wesley, Francesco Castro Lenero, Karina El Azem," Art Press, No. 265 (February 2001)

"Disasters of War" NY Arts, Vol. 6, No. 1 (January 2001)

Arnold Mesches: Echoes, NY Arts, Vol. 6, No. 1 (January 2001)

"Alain Arias-Misson: Shamanic Desires and the Mystery of Love" NY Arts. Vo. 6, No. 2 (February 2001)

"Clarence Morgan" NY Arts, Vol. 6, No. 2 (February 2001)

Construction in Process VII, Municipal Museum, Bydgoszcz, Poland, Sculpture, Vol 20, No. 1 (January/February 2001).

John Wesley at P.S. 1, Francesco Castro Lenero at Howard Scott, and Karina El Azam. Argentine Consulate, NYC, Art Press, No. 265 (February 2001)

“Alain Arias-Misson: Shamanic Desires and the Mystery of Love,” NY Arts. Vo. 6, No. 2 (February 2001)

Clarence Morgan, NY Arts, Vol. 6, No. 2 (February 2001)

“Intimate Art,” Tema Celeste, No. 85 (May/June 2001)

“Taoism and the Arts of China,” NY Arts (June 2001). Page 10.

“Las Tres Cristinas,” NY Arts (July/August 2001). Page 17.

“Zen Painting and Calligraphy,” NY Arts (October 2001). Page 15.

“The 7th Istanbul Biennial,” NY Arts (December 2001). Page 47.

Miri Segal at PS1, Art Press, No. 273 (November 2001)

Dennis Oppenheim, Tema Celeste (June 2001). p. 77.

Anya Gallaccio, Tema Celeste (Nov-Dec 2001), p. 79.

Lucio Fontana, Sculpture (January/February 2001). p. 77.

John Cross, Sculpture (December 2001). p. 71.

“Artistas Que Plasman,” Arte y Naturaleza (September - October 2001), p. 20.

Osmo Rauhala,” Sculpture (December 2002). p. 73.

“Artists and Globalization”, Shanghai Art Museum Quarterly, 2002 (Mandarin)

“Cultural Globalization and the Artist,” Art Inquiry (Lodz, Poland), Vol. IV (XIII) 2002

Louise Bourgeois: Spiders, Sculpture, Vol. 21 No. 2 (March 2002)

Jackson Pollock at Anita Shapolsky, Artnews (April 2002)

“Meditation on Two Candles”, NY Arts, Vol. 7 No. 5 (May 2002)

Francis Bacon at Tony Shafrazi, Artnews (June 2002)

Bruce Nauman at Dia Center for the Arts, Sculpture, Vol. 21 No. 6 (July/August 2002)

Joseph Nechvatal at Universal Concepts Unlimited, Tema Celeste, No. 93 (September/October 2002)

Markus Lupertz at Knoedler, Review, Artnews (November 2002)

“Tony Smith: In the Ether of Solids” Sculpture, Vol. 21 No. 10 (December 2002)

Gillian Jagger at Phylis Kind, Sculpture, Vol. 21 No. 10 (December 2002)

“The Monosemia of Bernar Venet,” Tema Celeste (May - June 2002). p. 72.

Nancy Graves, Artnews (May 2002). p. 168.

"The Intimate Healing Experience,” NY Arts (April 2002). Page 19.

Emerging Artist Essay,” Art In Culture (September 2002). Page 97. (Korean).

Report From Abroad, Art In Culture (January 2003). Page 102. (Korean).

Rebecca Welz at June Kelly, Artnews (January 2003)

Wlodzimierz Ksiazek at Kouros Gallery, Art Press, No. 287 (February 2003)

Joseph Cornell at Allan Stone, Artnews (February 2003)

Chuck Close, exhibition profile, Tema Celeste, No. 96 (March/April 2003)

“Frozen Moments: The Work of Stacey Neff” Glass, No. 90 (Spring 2003)

Nina Levy at Feigen Contemporary, Review, Sculpture, Vol. 22 No. 3 (April 2003)

“John Perreault: Pataphysician” NY Arts, Vol. 8 No. 5 (May 2003)

“Process in Art: The Means to an Image” Camerawork, Vol. 30 No. 1 (Spring/Summer 2003)

“French Art and Culture: Remember to Remember” NY Arts (cover), Vol. 8 No. 6-8 (Summer 2003)

Agnes Martin at Pace Wildenstein, Artnews (May 2003)

Carroll Dunham at New Museum of Contemporary Art, Art Press, No. 290 (May 2003)

Jian-Jun Zhang and Barbara Edelstein, Sculpture, Vol. 22 No. 4 (May 2003)

Barbara Westman at 473 Broadway Gallery, Tema Celeste, No. 97 (May/June 2003)

William Wegman at Sperone Westwater Gallery, Art Press, No. 291 (June 2003)

Dorothy Ruddick at Richard York, Artnews, Vol. 102 (June 2003)

Keith Sonnier, Artnews (June 2003). p. 114.

Piotr Uklanski at Gavin Brown’s Enterprise, Review, Art Press, No. 291 (June 2003)

Miyako Ishiuchi /James Nakagawa at Sepia International, Artnews, Vol.102 (June 2003)

“Whose Justice? Reflections on the Istanbul Biennial 2003”, NY Arts, Vol. 8 No. 11/12 (Nov / Dec 2003)

Survey, Tema Celeste, No. 100 (November/December 2003)

“Decoding Brian Clarke’s Transillumination”, Glass, No. 91 (Summer 2003)

"Aftershock" at Dickinson Roundell, Artnews (September 2003)

“The Snow Show” Kemi and Rovaniemi Art Museums Finland, Sculpture, Vol. 22 No. 7 (September 2003)

“On Space, Transcendence, and the Dia Beacon” NY Arts, Vol. 8 No. 9 (Sept/Oct 2003)

The American Effect at The Whitney Museum of American Art, Tema Celeste, No. 99 (September/October 2003)

Helen Frankenthaler, Moon Beom at Kim Foster, Review, Art Press, No. 294 (October 2003)

Rudy Burckhardt at Tibor De Nagy New York Studio School, Review, Artnews (October 2003)

“Biennial Delirium A Critic in Venice Amid Dreams and Conflicts” Sculpture, Vol. 22 No. 8 (October 2003)

“David Smith: Poetry and Perfidy” Sculpture, Vol. 22 No. 9 (November 2003)

“Hyunki Park,” Performance Arts Journal, Vol 87  (September 2003), p. 30.

John Cross at Maiden Lane, Sculpture, Vol. 22 No. 10 (December 2003)

Noh, Sang-Kyoon at Bryce Wolkowitz, Tema Celeste (2003). p. 77

Virgil Grotfeldt at Jason McCoy, Artnews (February 2004)

Jorge Oteiza at Haim Chanin Fine Arts, Sculpture, Vol. 23 No. 2 (March 2004)

Robert Morris, Art Press (February 2004). Page 71. (French/English)

Larry Poons and Nikos Kypraios, Art Press (September 2004). p. 72. (French/English)

Tony Cragg at Marian Goodman Gallery, Tema Celeste, No. 102 (March/April 2004)

“The Life of a Place: Dani Karavan” Sculpture, Vol. 23 No. 3 (April 2004)

Richard De Vore at Max Protetch Gallery, American Ceramics (April 2004)

“The Paintings of Uri Dowbenko”, NY Arts, Vol. 9 5/6 (May/June 2004)

Robert Natkin at David Findlay Jr. Fine Art, Artnews (June 2004)

Five Billion Years at the Swiss Institute, Art Press, No. 302 (June 2004)

Made Wianta at Garuda Wisnu Kencana Cultural Park Bali, Sculpture, Vol. 23 No. 5 (June 2004)

Linda Stojak at Stephen Haller, Artnews, Vol. 103 No. 7 (Summer 2004)

“Fragments of Meaning: Zvika Lachman” Sculpture, Vol. 23. No. 6 (July/August 2004)

Peter Barton at Pocketbook Factory, Sculpture, Vol. 23 No. 7 (September 2004)

“Revolutionary Door”, Chambers Fine Art, NYC, Art Asia Pacific, Vol. 41 (Sept 2004)

Luca Pignatelli and Giovanni Rizzoli at Generous Miracles, NYC, Tema Celeste 105 (September/October 2004)

Stephan De Staebler: Franklin Parrasch Gallery, NYC, Sculpture, Vol. 23 No. 8 (October 2004)

‘Summertime’ at Nancy Hoffman Gallery, Artnews, Vol. 103 #10 (November 2004)

“Entries from Japan/ Bali Journal” Hudson River Arts, Vol. 3 (Fall/Winter 2004)

Mia Westerlund Roosen at Lennon Weinberg, Sculpture, Vol. 23 No. 9 (November 2004)

“Franz Kline: The Terms of Painting”, Tema Celeste, No. 106 (Nov - Dec 2004)

Michal Rovner at Pace Wildenstein, Sculpture, Vol. 23 No. 10 (December 2004)

"What is the Use of Art?" Art Inquiry (Lodz, Poland), Vol. VI (XV) (2004), p. 55

“Przyszlosee Krytyki Sztuki Jest Przyszoloscia Demokracji”, Zeszyty Artystyczne, Grudzien, Issue 1232-6682, Poland, 2004

“Przyszlosee Krytyki Sztuki Jest Przyszoloscia Demokracji”, Kwartalnik Literacki,         No. 61-621-2, Poland, 2005

"Dehumanization and the Post-human: The Similarities and our Discontents," Art Inquiry (Lodz, Poland), Vol. VII (XVI) (2005), p. 7

David Smith at Gagosian Gallery, Sculpture, Vol. 24 No. 1 (January/February 2005)

Douglas Gordon: Gagosian Gallery, Beverly Hills, Art Press, No. 309 (February 2005)

Transcultures, National Museum of Contemporary Art, Athens, Tema Celeste 108 (March/April 2005)

Daniel Buren, Sculpture (Jan-Feb 2005). p. 67.

“Nam June Paik’s Meta 11,” Sculpture (June 2005). p. 80.

 William Tucker, Sculpture (October 2005)., p. 71.

Atsuko Tanaka at Grey Art Gallery, Sculpture, Vol. 24 No. 3 (April 2005)

Tadashi Hashimoto at Maiden Lane, , Sculpture, Vol. 24 No. 5 (June 2005)

Wlodzimierz Ksiazek at Kouros, Artnews (Summer 2005)

Nicole Chesney at Haller Gallery, Glass, No. 99 (Summer 2005)

Noritoshi Hirakawa at Salon 94, Art Asia Pacific, No. 45 (Summer 2005)

“Janet Echelman’s Porto Princess” Sculpture, Vol. 24 No. 6 (July/August 2005)

Seymour Lipton at Michael Rosenfeld Gallery, Sculpture, Vol. 24 No. 7 (Sept 2005)

Nicole Chesney, Glass Quarterly (March 2005). Reviews, p. 62.

“Who Takes Glass Seriously?”  Glass Quarterly (Fall 2005 / Issue 100). p. 27.

Lydia Dona, Artnews (February 2005). Page 136.

 “Logical Conclusions,” Tema Celeste (July - August 2005). p. 69 (Italian / English).

Kwang-Young chun, Tema Celeste (March - April 2006)., p.82. (Italian / English).

Jerry Kearns, Journal: Tema Celeste (May - June 2006). p. 79( Italian / English)

Building Blocks, Glass Quarterly (Spring 2006 / Issue 102). p. 42.

 Huang Yong Ping, Tema Celeste (June 2007). p. 70. (Italian / English). 

"Phong Bui: Reviving a Sense of Wholeness," Sculpture, Vol. 26. No. 2 (March 2007). p. 46.

Salvatore Romano: The Poetic Counterpoint in American Sculpture, Sculpture , Vol. 26, No. 5 (June 2007). p. 45.

Corban Walker, Glass Quarterly (February 2007). Reviews, P. 65.

“Reviving The Edge In Optical Painting,” Art In Asia (Sept / Oct  2007). p. 55. (Korea)

“Zhang Jian-Jun: Memory and the Process of Historical Time,” Yishu (Sept 2007), p. 55.

"Tom Doyle's Allegories of Time, Space, and Nature," Sculpture," Vol. 26. No. 7 (September 2007), p. 27

"A Subjective Utopic in Art," Art Inquiry Lodz, Poland) , Vol. IX (XVIII) (2007), p. 7

Hermann Nitsch, Art Press (Décembre 2008). Page 80. (French/English)

Olafur Eliasson (MoMA), Art Press 348 (December 2008), p. 79

“Marked in Stone and Sand (Ahmad Nadalian),” Landscape Architecture (June 2008), p. 59.

 “On Connoisseurship in the Marketing of Contemporary Chinese Art,” Yishu (Nov / Dec 2009), p. 33.

"The Free Space in Art," Art Inquiry (Lodz, Poland) , Vol. XI (XX) (2009), p. 123.

“Creighton Michael and the Origins of Marking,” Sculpture (April 2009).  P. 42.

“Conceptual Light: The Bas-Reliefs of Gahae Park,” Sculpture (December 2009).  P. 38.

Michael Taylor, Glass Quarterly, Vol. 116 (Fall 2009). p.  59.

"Sculpture that Declares the Space Around it: John Atkin,” Sculpture (January/February 2010).  P. 50.

"Reiterating Allan Kaprow's Yard," Sculpture. Vol. 29. No. 7 (September 2010)

"Raquel Rabinovich: Fluid Equilibrium," Sculpture, Vol. 29, No. 10 (December 2010)

Tan Dun at Chambers Fine Art, Asian Art News (Jan / Feb 2010).  p. 99.

"Len Hong-wen: Journey Through Time,” Asian Art News (Jan/Feb 2010).  p. 65.

Baiju Parthan at Aicon Gallery, Asian Art News (May/June 2010).  p. 98.

Joohyun Kang at Tenri Gallery, Asian Art News (May/June 2010).  p. 99.

"Thoughts on Re-Performance, Experience, and Archivism," Performance Arts Journal 96 , Vol. XXXII, No, 3  (Sept  2010), p. 1


Sept 4, 1983              Art Fabric: Mainstream, Memorial Art Gallery, Rochester

Oct 2, 1983                Edouard Manet, Metropolitan Museum of Art, NY

Oct 9, 1983                Motherwell Retrospective, Albright-Knox, Buffalo

Dec 4, 1983               Michael Snow, Johnson Museum of Art, Ithaca

Feb 5, 1984               Barbara Jo Revelle and Alex Sweetman, VSW

Feb 19, 1984             Guatemala Photographs, Pyramid Arts Center

Mar 4, 1984               The Mystic North, Art Gallery Ontario, Toronto

Mar 25, 1984             Introspectives, Women's Art Exhibition

April 22, 1984           The Landscape Starts Here, Visual Studies Workshop

May 13, 1984            Adolf Fassbender, Eastman House Museum

June 10, 1984          William Carlos Williams / Precisionism

June 24, 1984          International Survey at MOMA, NY

July 22, 1984            Bernard Falcon, photographs, Eastman House

July 29, 1984            Artpark, Lewiston, NY: Acconci, Oppenheim, Burden

Aug 5, 1984              Francois Morellet, Albright-Knox, Buffalo

Sept 2, 1984              Frank Stella Prints, Rochester

Oct 7, 1987                Beaumont Newhall, Eastman House

Oct 14, 1984               Van Gogh at Arles, Metropolitan, NY

Oct 4, 1984                German Expressionist Prints

Oct 11, 1984              Hollis Frampton Retrospective, Albright-Knox

Nov 15, 1984            Stuart Sherman, Pyramid Arts Center

Nov18, 1984             Gracie Mansion Exhibition, Pyramid Arts

Dec 2, 1984               Primitivism in 20th Century Art, MOMA, NY

Dec 23, 1984            Saul Steinberg Drawings, Memorial Art Gallery

Dec 30, 1984            The Florida Picture Show, George Blakely

Jan 6, 1985               Lewis Hine, Eastman House

Jan 27, 1985             Horst Janssen Prints, Memorial Art Gallery

Feb 10, 1985             Borofsky Retrospective, Whitney Museum, NY

Mar 3, 1985               The Age of Caravaggio, Metropolitan Museum of Art, NY

Mar 10, 1985             Early Soviet Photographers, Eastman House

Mar 17, 1985             Kandinsky at Guggenheim, NY

Mar 31, 1985             Newton and Helen Harrison, Johnson Museum

April 28, 1985           Whitney Biennial, NYC

May 12, 1985            Women's Political Art, Pyramid Arts Center

June 2, 1985             Gilbert and George, Guggenheim, NY

June 9, 1985             Irwin Kremen, Albright-Knox Art Gallery (Buffalo)

June 23, 1985          Treasures at Eastman, 19th Century Prints

July 7, 1985               Millet Show at IBM Center, NYC

July 14, 1985            Karsh Portraits, Everson Museum, Syracuse

July 21, 1985            Don McCullin Photographs, Eastman House

July 28, 1985            Kurt Schwitters Exhibition, MOMA

Aug 11, 1985            Niagara Exhibition, Albright-Knox

Aug18, 1985             Artpark, Lewiston: Acconci Installation

Aug 25, 1985            Helen Frankenthaler: Works on Paper, Toronto

Sept1, 1985               18th Century French Prints, Memorial Art Gallery

Sept 8, 1985              David Geiser Paintings

Sept 22, 1985           Pyramid Arts, Gerald Hayes, Ed Miller

Nov 3, 1985               Hopper Photographs, Gail Levin

Nov 17, 1985            India! Metropolitan Museum of Art, NYC

Dec 1, 1985               Micha Bar-Am Photographs, Eastman House

Dec 29, 1985            American Native Artifacts, Photographs

Jan 12, 1986             Philip Pearlstein

Feb  9, 1986              Konrad Cramer Photographs, Eastman House

Mar 9, 1986               SUNY Brockport: Longo, Sherman, Scanga, Bosman, Lucero

Mar 23, 1986             Jeanne C. Finley Photo/Video Installation, VSW

April 6, 1986              Suzanne Roth Paintings/Margaret Evans Photographs

April 2, 1986              Aycock, Rickey, Krebs, Mario Merz, Univ. of Rochester

April 20, 1986            M.M. Lum Graphite Drawings, Zaner Gallery

May 16, 1986            Steina and Woody Vasulka, Visual Studies

July 6, 1986               Ray Metzger, Eastman House

Aug 3, 1986              Early Modern and Impressionist Painting from USSR

Aug 24, 1986            Robert Capa/Roman Vishniac, Eastman House

Sept 21, 1986           Chip Lord Installation, Visual Studies

Oct 19, 1986             Winslow Homer Engravings, Hartnett Gallery, Univ of Rochester

Nov 9, 1986               Jerome Witkin: Moral Visions, Pyramid Arts Center, Rochester

Dec 7, 1986               Van Gogh in Saint-Remy and Auvers, Metropolitan Museum 

Jan 4, 1987               William Blake Engravings, Albright-Knox Art Gallery,


"Revolutions Per Minute," Domus (Milan), September 1982.

"Revolutions Per Minute (The Art Record)" in High Performance #17/18, 1982 (slight revision of "Introduction" in record edition, Ronald Feldman Fine Arts, 1982).

Review: Still Photography: The Problematic Model Edited by Peter D'Agostino and Lew Thomas, Afterimage (November 1982)

Review: Eating Through Living by Peter Nadin and Jenny Holzer, Afterimage (February 1982)

Review: A Visit With Magritte by Duane Michels, Afterimage (March 1982)

Review: The TV Altar by Gregor Goethals, Afterimage (May 1982)

Review: The Book of Do's by Bern Porter, Afterimage (March 1983)

Review: Otherwise by Robert Barry and From by Peter Downsbrough (recordings),

DOMUS (Milan), (March1983)

Review: 1984: A Preview (Ronald Feldman Fine Arts), DOMUS (June 1983)

Review: Vortex, Scott and Beth B (recording), DOMUS (August 1983)         

Review: Sonic Youth (recording), DOMUS (September1983)

"Mail Art is Not Correspondence Art," Umbrella (September 1983).

Review: Big Science (United States, Part I-IV by Laurie Anderson (recording) DOMUS (January 1984)

Review: The Photographer by Phillip Glass (recording) DOMUS (March 1984)         

Review: Stop These Songs, V-Effect (recording) DOMUS (June 1984)

Review: High Performance (recording) DOMUS (May 1984)

Review: $19.84, William Wegman (artist's book) DOMUS (October 1984)

Review: Souls of Chaos, Rosenbloom Electric (recording) DOMUS (November 1984)

Review: Idioblast by John Fekner (recording) DOMUS (May 1985)  

Review: Here Comes Everybody's Don't Book by Bern Porter, Afterimage (March 1985)

Review: Why Duchamp by Gianfranco Baruchello and Henry Martin. Afterimage (May 1986)

Review: Russian Samizdat Art Edited by Charles Doria, Afterimage (February 1987)


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