Robert C Morgan

Curriculum Vitae
Essays and Reviews
Art and Poetry

BOOKS (English Editions):

Wild Dogs in Bali: The Art of Made Wianta. Singapore: SNP Editions, 2005

Vasarely. New York: George Braziller, 2004

Clement Greenberg: Late Writings. Edited by Robert C. Morgan University of Minnesota Press, 2003

Bruce Nauman. Edited by Robert C. Morgan. Johns Hopkins University Press, 2002

Gary Hill. Edited by Robert C. Morgan. Johns Hopkins University Press, 2000

The End of the Art World New York: Allworth Press (in collaboration with the School of Visual Arts), 1998. Introduction by Bill Beckley

Between Modernism and Conceptual Art. Jefferson, North Carolina and London: McFarland, 1997

Art Into Ideas: Essays on Conceptual Art. New York: Cambridge University Press, 1996

Conceptual Art: An American Perspective. Jefferson, NC and London: McFarland, 1994. Introduction by Michael Kirby

After the Deluge: Essays for Art in the Nineties. New York: Red Bass, 1993

Commentaries on the New Media Arts. Pasadena, CA: Umbrella Associates, 1992


Reflections on the Condition of Recent Chinese Art (in Chinese). Beijing, China: Hebei Provincial Publishing House of Education, 2013  

El Artista en el Siglo XXI/La Era de la Globalizacion (Spanish translation). Buenos Aires: EDUNTREF (Editorial de la Universidad Nacional de Tres de Febrero), 2011

Contemporary Art in the Era of Globalization Tehran (Farsi translation). Islamic Republic of Iran: Cheshmeh, 2010  

The Artist and Globalization - artysta i globalizacja (bilingual, English and Polish). Translation: Alina Kwiatkowska and Agnieszka Grochulska. Miejska Galeria Sztuki w Lodzi, 2008

Conceptual Art  (Korean translation of Art into Ideas: Essays on Conceptual Art, originally published by  Cambridge University Press, 1996 with new Introduction and additional chapter on Korean Conceptual Art). Seoul: JRM Press, 2007
Del Arte a La Idea (Spanish translation of Art into Ideas: Essays on Conceptual Art, originally published by Cambridge University Press, 1996)). Madrid: Akal, 2003
Alain Kirili  (French translation). Paris: Flammarion, 2002

Duchamp & los artistas contemporaneous posmodernos. Buenos Aires: Eudeba (Libros del Rojas), 2000

Bernar Venet, 1961 - 1970. (bilingual, French/English) St. Etiennne: Editions des Cahiers Intempestifs, 1999

El Fin del Mundo del Arte y Ostros Ensayos (Spanish translation from The End of the Art World). Buenos Aires: Eudeba (Libros del Rojas), 1998

The Plight of Art Criticism (Korean/English translation). Seoul: Hansung University, Graduate School of Arts, 1997

Koniec Swiata Sztuki (The End of the Art World), Museum Artystow, Lodz, 1996 (Polish/English Trans.)

Duchamp, Androgyny, Etc. (bilingual, French/English). Paris: Editions Antoine Candau, 1990  

Robert Barry (bilingual, German/English). Edited by Erich Franz. Bielefeld: Verlag Karl Kerber, 1986



"Hans Bellmer:The Infestation of Eros" in The Fenris Wolf, Issue No.6. Edited by Carl Abrahamsson (Reprinted from Anders Malmburg Edition, Stockholm, 1992). Sweden: Edda Publishing, 2013

“The Right Harmonic: The Paintings of Edwin Ruda (bilingual, English/Italian)” in Edwin Ruda New York City, 2004

"Giordano Pozzi: Constructing Emotions (bilingual, English/Italian)" in Giordano Pozzi. Maurizio Corraini Edizioni, 2004

"Expressive Carvings from Shandong Province (bilingual, Chinese/English)" in True Words: Wood Sculpture Relief. Published in Hong Kong, China 2003

"The End of the Art World" (excerpt) in Patricia Hills, Modern Art in the USA: Issues and Controversies of the 20th Centuries. Upper Saddle River, New Jersey: Prentice Hall, 2000

"Natalya Nesterova's Envisioning Memory" in Natalya Nesterova: Russian Wanderings. Washington: B'nai B'rith Klutznick National Jewish Museum, 2000

“Mario Segundo" in Mario Perez en el Museo Nacional de Bellas Artes. Buenos Aires, 2000

"The Language of Eros" in Noritoshi Hirakawa, Matters, 1988-1997. New York: Deitch Projects and Antwerp: Zeno X Gallery, 1998

"The Delta of Modernism" Re-Dact, Edited by Peter Frank. New York: Willis, Locker, and Owens, 1984. Revised and reprinted in Kostelanetz, ed., Esthetics Contemporary, 2nd Edition, (Buffalo, New York: Prometheus Books, 1989 ( Spanish Translation appeared in Revista Esthetica (CAYC, Buenos Aires), Fall 1991. Revised in The End of the Art World, New York: Allworth Press, 1998

"A Sign of Beauty" in Bill Beckley and David Shapiro, Uncontrollable Beauty. New York: Allworth Press, 1998

"Touch Sanitation: Mierle Laderman Ukeles" in Linda Frye Burnham and Steven Durland, editors. The Citizen Artist: 20 Years of Art in the Public Arena. Critical Press. The Gunk Foundation, 1998

"Philip Glass: The Photographer (1984, revised 1996)," Writings on Glass: Essays, Interviews, Criticism. Edited by Richard Kostelanetz and Robert Flemming. New York: Schirmer Books, 1997

"Dorothea Tanning's Sculptural Interlude" in Dorothea Tanning. New York: George Braziller, 1995

"The Marking of the Mail: An Exegesis on the Criminal Pursuit of an Art Genre" in Gianni Broi, ed., Alternative Creativity and Human Values (Free Dogs in the Galaxy) Firenze (Italy): Edizioni Regione Toscana, 1995 (First Published in New Media Arts, op. cit., 1992).   

"Entretien avec Robert C. Morgan" en Richard Serra: Ecrits et Entretiens, 1970-89 (Daniel Lelong Editeur, 1990). English Edition, Chicago University Press, 1993

"Hans Bellmer:The Infestation of Eros" in A Hans Bellmer Miscellany. Anders Malmburg, Malmo and Timothy Baum, New York, 1993
"Introduction" and "Art Criticism Today: Forum or Repression?" Annals of Scholarship Vol. 10. Numbers 3/4, 1993

Colin Naylor, ed .Contemporary Masterworks. London: St. James Press,1992. Entries include critical discussions of works by Isamu Noguchi, Gordon Bunschaft, and Josep Renau.

Oscar de Mejo:The Naive Surrealist. Essay by Robert C. Morgan. New York: Abrams, 1992

"The Miralda Honeymoon Celebration in Las Vegas" in Honeymoon Miralda. Las Vegas Reno, Nevada: Nevada State Council on the Arts, 1992

Marcel Delmotte. Essay by Robert C. Morgan. Nahan Galleries (in collaboration with Galerie Isy Brachot, Bruxelles), 1991

Haim Steinbach: Monograph of an Exhibition (French). Bordeaux: capc Musee d'art contemporain, 1990

"Joseph Nechvatal: Laminations of the Soul (bilingual, English/French)" in Joseph Nechvatal. Paris: Antoine Candau Editions, 1990 (English and French)

"La Situacion del Arte Conceptual Desde (bilingual, Spanish/English)"January Show" Hasta Nuestros Dias" in Juan Vicente Aliaga and Jose Miguel Cortes, editors, Arte Conceptual Revisado, Universidad Poletechnica de Valencia, 1990

Duchamp Androgyny Etc.(bilingual, French/English). Paris: Antoine Candau Editions, 1990  

Robert Barry Bielefeld: Verlag Karl Kerber (bilingual, German/English). Edited by Erich Franz, 1986  

"Systemic Books by Artists" in Joan Lyons, ed., Artists' Books: A Critical Anthology and Sourcebook, Peregrine Smith Books and Visual Studies Workshop Press, Rochester, N.Y., 1985

"Asparagus and Chrysanthemums = Sentimentality and Power," in Muntadas and D'Agostino, eds., The Un/Necessary Image, New York: Tanam Press and Cambridge, Committee on the Visual Arts, MIT, 1983


“Feldscott’s Threshold” in Feldscott: Cries, Chants, Shouts and Wispers - Songs of the Forgotten. Meridian Gallery San Francisco, Studio Vendome New York City and Art Miami Miami Beach, 2013

“Illuminating the Invisible: Shen Chen’s Recent Paintings” in Between the Lines: Paintings by Shen Chen. Canvas International Art, Amsterdam, 2013

"The Once Wild West: Ludvic"s Chieftains and Herdsmen" in Ludvic: Don't Fence Me In. Desert Caballeros Western Museum, Wickenburg, AZ (Oct. 2012-Jan. 2013)

"Brian Clarke: Nerves of Ecstasy" in Brian Clarke: Between Extremities. Pace Gallery (Jan/Feb 2013)

"Composing the Nude: Paintings by Sam Posey" for Sam Posey at Ober Gallery, Kent, Ct (May/June 2013)

"The Performance Itself: Marit Folstad and the Distant Subject" in Melody of Certain Damaged Lemons. Printed by Elanders Falth & Hassler, Sweden, 2012

“Pop Revisionism: Paper Works by Lee Seung-oh" (bilingual, English/Korean) for Lee Seung-oh at Gallery Seo Hwa, Seoul (Oct/Nov 2012)

"Hassel Smith and the Sculpture of Abstract Painting" in Hassel Smith: Paintings 1937-1997. Prestel Verlag Munich - London - New York, 2012

"Eros, Exorcism, and Eruption" in Nancy Crossman: Tough Life Diary. The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Spring, New York (Feb. - May 2012)

"Virtual Volumes: Optical Sculpture by Rafael Barrios" in Rafael Barrios:The Park Avenue Project. Park Avenue, New York (March-June 2012)

"Structure, Light, Music: The Classical Memory of Liu Ye" in Liu Ye: Bamboo Bamboo Broadway. Sperone Westwater, New York (Sept/Oct 2012)

"Pedro Diego Alvarado: The Poetics of Painting" (bilingual, English/Spanish) in Pedro Diego Alvarado: Forma y Metafora/Une Seleccion de Obra 1983-2012, 2012

"Illusion and the Tactile Sensation in Painting" in Vangelis Rinas: Palimpsests of Time. Tenri Cultural Institute, New York, 2012

"Ecstasy in Painting: Portraits beyond Portraiture" in La Alteridad en el Espejo:Retratos  Expresionistas de Johan Falkman. Printed by Trykeri AB CA Anderssen, Malmo, Sweden, 2012

"Kimsooja: Time, Temporality, and the persistence of the Void (bilingual, French/English)"in Kimsooja: Exposition au Musee d’Art Moderne. Saint-Etienne Metropole, 2012

"Ha, Chong-Hyun: A Tactile Response to a Virtual World" (bilingual, Korean/English) in The Conversation: The Artist, Critics and Audience. National Museum of Contemporary Art, Korea, 2012

"Aura of Disappearance" in Zhang Huan.  Edouard Malingue Gallery, Hong Kong (May/June 2011)

"The Execution of the Soul: Recent Paintings by Jose Manuel Ciria" in Ciria: Rorschach Heads. Stux Gallery, New York, 2011

“Time-Based Earth” (bilingual, German/English) in Die Letzte Freiheit: The Last Freedom. Silvana Editoriale, 2011

"Experience, Consumerism and Identity: Five American Artists in Guangzhou, Summer 2011" (bilingual, Chinese/English) in Shift: Exhibition on Young American Artists Creating On-Site Artwork in China. Times Museum, Guangzhou, China, 2011

"Conversation with John Cross" in John Cross (exhibition catalog). Carrie Haddad Gallery, Hudson, NY, 2011

“Eternal Moments: Artists who Explore the Prospect for Happiness” in Psychedelic: Optical and Visionary Art Since the 1960s. San Antonio Museum of Art in association with The MIT Press, Cambridge, Massachusetts, 2010

"The Point of Transition: Ceramic Sculpture by Paul Chaleff" (bilingual, Korean/English), Gallery Seomi, Seoul, Korea (Nov/Dec 2010)

“Paintings of Celestial Terrains by Lei Zhen Hua” (bilingual, English/Chinese), New Gallery on Old Baily Contemporary Art International, New York, 2010

“To Respond to the Moment without Forgetting: Contemporary Brush Painting by Wei Ligang” (bilingual, Chinese/English) in Gold Unicorn: Graphimage by Wei Ligang. Contrast Gallery. Shanghai, China, 2010

"The Shape of Time in Maritime Yeosu (bilingual, Korean/English)" in The Shape of Time: From Micropolis to Metropolis - 2010 Yeosu International Art Festival. Yeosu, Korea, 2010
“Along the Road:  Jayne Holsinger's Women Drivers" in Jayne Holsinger: Women Drivers. Pensacola Museum of Art, Pensacola, FL, 2010

"Robert Morgan and the Art of Perception" in Robert Morgan against the Current. Galleria S. Eufemia, Venice, Italy, 2010

"Painting as Allegory: The Art of Marcia Gygli King" in  Marcia Gygli King: Forty Years. San Antonio Museum of Art, Southwest School of Art & Craft and UTSA, 2009

"Emerging Glass Artists at Gallery Sklo" - Gallery Sklo's 5th Anniversary Exhibition. Seoul, Korea (Dec. 2008-Jan. 2009)

"Forms of Containment: Reflections on Digital Stone Carving in China" in Digital Stone Exhibition: The intersection of Art and Technology. Today Art Museum in Beijing, Duolun Museum of Modern Art in Shanghai and Jinse Gallery in Chongqing, China (Oct 2008-Jan 2009)

"The Transportation of Time: Figurations by Lee, Yong Deok" published by PYO Gallery, Seoul, Korea (Sept. 2008)

"The 108 Bows and the Art of Grace Rim" (trilingual, French/English/Korean) in Jungwook Grace Rim: 108 Bows for 108 Anxieties. Tenri Gallery, New York (April 2008)

“Infinity Made Tactile; A Recent Hypothesis by Slawomir Marzec” (bilingual, ?/English) in Slawomir Marzec: Around Visibility Miejska Galeria Sztuki w Lodzi, 2008

"Regaining Silence: The Modernism of Park Seo Bo" (bilingual, Korean/English) for Park, Seo-Bo, Gallery Shilla, Seoul, Korea (Sept. 2008)

"Art in Everyday Life" (bilingual, Korean/English) in Hi! Heels Project Lee Jung Yoon. Gong Gallery, Seoul, Korea (June 2008)

“Ha Chong Hyun: The Traces on the Wall” in Ha Chong Hyun. Gana Art Center (Feb/Mar 2008)

"Border Crossing: Painting for a New Era" (bilingual brochure,  Japanese/English), Keiko Hara, Donald Groscost and Rene Pierre Allain: COHJU Contemporary Art. Kyoko International Community House, Kyoto, 2008

"Paint a Bird: Paradox and Reality" for Ye Yongqing at Time Square Gallery, NYC, 2008

“Passages and Doorways: The New Abstract Painting in China” (bilingual, Chinese/English) in Qi Yun: The International Traveling Exhibition of Chinese Abstract Art. Shenzhen, Beijing & New York, 2007/2008

"Hai Tao - Landscape of Music" in Dancing Mountains--The Landscape of Hai Tao. Wooster Art Space, New York (Feb. 2007)

“Keiko Hara’s Springtime, Shreds of Language” in Keiko Hara: Imbuing in Monet. Perimeter Gallery, Chicago, 2006

“Ecstasy and Expression: Ludvic’s Poems and Folksongs” in Ludvic: Poems and Folksongs. Artspace (Robert Roman Gallery), Scottsdale, Arizona, 2006

“Peter Zvi Malkin: Paintings of Feeling and Intuition” in Peter Z. Malkin, Painting 1961 – 2004. Perry Fine Art, NYC, 2006

“Yin Zhaoyang: The Suspension of Opposition without Resolution” (bilingual, Chinese/English) in Yin Zhaoyang’s New York. Tang Contemporary Art, Beijing & Bangkok, 2006

"Filippo Sciascia's Uncertain Allegory" in Video>Painting 2004/2006. Printed by Mahameru Offset Printing, Jakarta, 2006

“The Contemporary Icons of Nikos Kypraios” (brochure) in Nikos Kypraios: Icons. Leepa-Rattner Museum, St. Petersburg College, Tarpon Springs, Florida (Nov. 13, 2005 – Jan. 8, 2006)

"Wei Dong's Ironic Dreams" (bilingual, Chinese/English) in Wei Dong: Perfumed Paradise. Hanart T Z Gallery, Hong Kong (Sept. 2006)

“Masaaki Noda: Circumventing Apollo’s Mirror” at Astrolavos Art Gallery, Athens, Greece, 2005

“Robert Delford Brown’s Action Gluings” for Collaborative Action Gluings, Editions and Archive Francesco Conz, Verona, Italy, 2005

“Rifka Milder’s Sanctuaries of Color” (bilingual) in Rifka Milder: Reflections. Galeria Isabel Ignacio, Seville, 2005

“Donald Groscost: Towards a Perception of the Real”  (bilingual) in Donald Groscost: Works 1999 – 2004. Gothaer, Cologne, Germany, 2005  

“Denis Farrell: The Intimate Palimpsest” in Denis Farrell: New Paintings 2005. Irish Arts Center, New York, 2005

“Angel Orensanz’s Material Metaphor: The Birth-Death Syndrome and the Reappearance of Non-Being” in Angel Orensanz: Earth: Death – Birth. Alexander Pushkin Museum, Moscow and State Russian Museum at Rumyantzev Palace, St. Petersburg, 2005

“Merrill Wagner: Further Affinities” Sundaram Tagore Gallery, NYC, 2005

“John Mullen: Incursions, Paintings 2005” at Howard Scott Gallery, NYC, 2005

“The Organic Past: New York Artists in the Forties” in Organic New York, 1941 – 1949. Michael Rosenfeld Gallery, NYC, 2005

“R. Kostelanetz: Scribe from the Outside” in Big Birthday Book: A Festschrift for Richard Kostelanetz’s 60th (or 65th) Year. Libros de Barba, NYC, 2005

“Lena Liv: In Praise of Shadows” in Lena Liv. Andrea Meislin Gallery, NYC and Edizioni Centro Sperimentale di Arte Contemporanea, Firenze, 2005

“Julian Stanczak Constellations: Niania’s Multiples and Related Works” in Julian Stanczak: Constillation and color - Four Decades of Painting. Stux Gallery, New York City (Jan/Feb 2005)

"The Point of No Return (bilingual, English/French)" in Bent Holstein: Paintings/Peintures Malerier. Printed in Denmark, 2005

“Youngnam Cho” at Gallery Korea, NYC, 2004

“Sylvia Wald: Living Art” at Tenri Cultural Institute, NYC, 2004

“Thomas Lanigan-Schmidt: Stapled to the Soul” at Pavel Zoubok Gallery, NYC, 2004

“Willy Ramos: Secrets de la Delia” in Willy Ramos: Nabusimake. Meseo de la Ciudad de Valencia, Spain, 2004

“Fred Eversley’s Eternal Delight” in Fred Eversley: New Work. Osuna Art, MD, 2004

“What is the Use of Art?”, Art Inquiry (Lodz, Poland) Vol. VI (XV), 2004
“Soon Jon Jo: The Art of Wishing” in Sook Jin Jo: Collaborative Public Art, Sculpture and Drawings 1994-2004

“Angiola Churchill: Falling Water” in Angiola Churchill: Paradise Revisited. Tenri Cultural Institute of New York, 2004

“Hanneke Beaumont: The Urgent Moment” in Hanneke Beaumont. Heidi Neuhaus Gallery, New York, 2004

“The Phenomenology of Robert Yasuda” in Robert Yasuda. Elizabeth Harris Gallery, NYC, 2004

“The Right Harmonic: The Paintings of Edwin Ruda” in Edwin Ruda (privately printed), New York City, 2004

"Painting New York with the Painted Korean Flag" in Youngnum Cho. Gallery Korea, New York (June-July, 2004)

“Eric Finzi: Tales of Oswego” at Walter Wickiser Gallery, NYC, 2003

Bill Beckley: Deirdre’s Lip (Catalogue). Bill Beckley Galerie Hans Mayer, Dusseldorf, Germany and Galerie Park Ryu Sook, Seoul, Korea, 2003

“L’evacuation de Rabascall” in Rabascall: One Retrospective 1967-2000. Villa Tamaris centre de Art (La seyr-sur Mer 2003)

“Expressive Carvings from Shondong Province”  (bilingual, Chinese/English) in True Words: Wood Sculpture Relief by a Group of Artists from Shandong, China, 2003

“Robert Barry: Language and Silence” in Some Places Which We Can Come: Robert Barry, works 1963 to 1975. Kunsthall Nurnberg (18 September – 16 November, 2003) and Aargauer Kunsthaus Aarau (15 May – 15 August, 2004). Kerber Verlag, 2003 (bilingual)

“A Voyage Through the Eyes of the Figure: The Paintings of Lita Cabellut”  (bilingual, Spanish/English) in Lita Cabellut: The Forms of the Spirit. Ollero y Ramos, Madrid, 2002

“The Cosmic Energies of Aviva Baal-Teshuva” (bilingual, Russian/English) in Aviva Baal-Teshuva: Paintings, Gouaches, Collages. State Russian Museum, Ludwig Museum in the Russian Museum, St. Petersburg: Palace Editions, 2002

“Marcia Marx: Allegories of the Figure” (bilingual edition), The Mexican Cultural Institute, New York, 2002

“Marta Chilindron: Common Mysteries” in Marta Chilindron: Sculptures. Geneva, Switzerland: Dot Editions, 2002

"The World Mandala: Neil Tetkowski's Common Ground World Project" in Common Ground World Project. United Nations Headquarters, New York, 2001

"What Is an Image?" in Günter Selichar: Screens. Cold Espai Lucas Valencia and Project Space Kunsthalle Wien, 2001

"Painted in New York City: The Presence of the Past" in Viewpoints of Recent Developments in Abstract Painting. Hofstra University, Hempstead, New York, 2001

"David Remfry: Lunar Creatures" Heidi Neuhoff Gallery, NYC, 2001

"Joan Thorne: Mythical Journeys, Power and Flight" in Joan Thorne. Andre Zarre Gallery, NYC, 2001

"The Phantasmagoria of Omer Uluc" in Omer Uluc. Trans Hudson Gallery, NYC, 2001

“Sook Jin Jo: Wood Metal, Glass, Paper” at Ok Harris Gallery, NYC, 2001

“To The Magnificent Paolo Barrile” in 2001: IL FUTURO E’ INDECIFRABILE. Antonio Battaglia Arte Contemporanea, Milano Nov 2001

“Tong Yang-tze: The Art of Renewing Itself” in The Paintings of Tong Yang-tse. Goedhuis Contemporary, London, 2001

"Space Shifts: The Art of Jan Zakrzewski" in Wlodzimierz Jan Zakrzewski: Points of Reference. The Xawery Dunikowki Museum at the Królikarnia, National Museum, Warsaw, 2000

"Straight Painting"(brochure) in Straight Painting The Painting Center, New York, 2000

"Agora" (brochure) in Antonia Papatzanaki's Agora. Pratt Institute, New York, 2000

"Wlodzimierz Ksiazek: The Ineffable Painting" (brochure) in New Paintings, Alpha Gallery, Boston, 2000

"River Mist: New Paintings by David Geiser"in New Paintings, Butters Gallery LTD, Portland and Centro Cultural Birges, Buenos Aires, 2000

"Nuevas Pinturas de David Geiser" (brochure) in David Geiser, Pinturas, Municipalidad de La Plata, 2000

"Modern Dreamtime" in Ryszard Wasko. The International Artists' Museum, Tel Aviv, 2000

"Juri Kim: Aspiration of Silence" in Juri Kim. A.I.R. Gallery, New York, 2000

“Mario Segundo Pérez” (Essay), El Museo Nacional de Bellas Artes, Buenos Aires, 2000

“Catherine Lee”(Essay), Galerie Academia, Salzburg, 2000

"René Pierre Allain: Formalism after Postmodernism" in René Pierre Allain: Disjunctures. Galerie De Bellefeuille, Montreal, 2000

"The Reversal of Form as Pure Space" in Tadaaki Kuwayama. Uniplan International, Kerpen/Cologne, 2000

"Composing Abstract Form" in Mariano Moroni: La Composizion della Forma Astratta. San Benedetto del Tronto, Palazzina Azzurra, Milan, 2000

"Cristobal Gabarron at the Olympic Museum" in Gabarron: Olympic Dreams. Musee Olympique, Lausanne, 1999

"Berrocal: El Misterio de la Existencia" in Berrocal Centro. Cultural del Conde Duque, Madrid (Feb/March 1999)

Lausanne: Musee Olympique - "Cristobal Gabarron at the Olympic Museum" in Gabarron: Olympic Dreams (18 February - June 13, 1999).

"Representing the Anti-Monument: Recent Work by Steven Montgomery" in Steven Montgomery. Everson Museum of Art (May 16 - July 12, 1998) and OK Harris Gallery (Nov.21, 1998 - Jan. 2, 1999)

"Fragment/Fragmente: Paintings and Castings by Judith Uehling" in Fragmente: Paintings and Castings by Judith Uehling. A.I.R. Gallery (Jan. 26 - Feb. 13, 1999)

"Penelope Umbrico: Signs Within the Inventory" in Penelope Umbrico: Fom Catalogues. Julie Saul Gallery, New York (Jan. 17 - Feb. 21, 1998)

"John Ferren's The New York Paintings" in John Ferren: The New York Paintings, 1950's - 1960's. Katharina Rich Perlow Gallery, New York (Nov. 7 - Dec. 3, 1998)

"Pleasure and the Deterioration of Will" in 22/21 Vision. Curated by Dan Devine. Emily Lowe Gallery, Hofstra Museum, Hofstra University (Sept. 8 - Oct. 25, 1998)

"Linda Cross: Shifting Tensions" in Linda Cross: Shaping the Land. The Albany Center Galleries, Albany, New York (July 17 - Aug. 28, 1998)

"Augustua Goertz: Eros and Surface Depth" in Augustus Goertz. Patricia Correia Gallery, Santa Monica, California and Kim Foster, New York City, 1997

"Fabrian's Fantastic Fifty" in Fabian Cereijido. Consulado General de Argentina, New York (Feb. 13 - March 12, 1997) and Centro Cultural Borges, Galerias Pacifico, Buenos Aires (May/June 1997)

"Art Outside the Museum" (bilingual, English/German) in The Age of Modernism: Art in the 20th Century, Christos M. Joachimides and Norman Rosenthal, editors. Zeitgeist-Gesellschaft, Verlag Gerd Hatje, 1997

"The Symbolic Surface in Abstract Painting" in After the Fall: Aspects of Abstract Painting Since 1970. Curated by Lilly Wei. Staten Island, New Yok: Newhouse Center for Contemporary Art, Snug Harbor Cultural Center (March 27 - Sept. 7, 1997)

"The Assembled Paintings of Ji-Myung Kim" in Ji-Myung Kim: Resonant Planes. New York: Pleiades Gallery (Oct. 21 - Nov. 8, 1997)

Untitled Statement (bilingual, German/English) in Tadaaki Kuwayama. Koln: Japanisches Kulturinstitut, 1997

"New York Diversity" in Diversity: California/New York. Curated by Peter Selz and Robert C. Morgan. Hugo de Pagano Gallery, New York (April 9 - May 3, 1997)

"Rancor's Obsession: The Paintings of Ford Crull" in Ford Crull: Secrets and Parables, Works on Paper, 1983-1997. Art Gallery, Williams Center for the Arts, Lafayette College (Nov. 6 - Dec. 10, 1997)

"Alice from the Lower East Side: New Paintings by Michael Odnoralov" in Michael Odnoralov: Alice from the Lower East Side. New York: Lehman College Art Gallery, City University of New York (Oct. 16, 1997 - Jan. 2, 1998)

"Reflections on the Paintings of Gary Lang" in Gary Lang: Testimonials. The Claremont Graduate University, East Gallery (Dec. 1, 1997 - Jan. 9, 1998)

"Plus and Minus" in Sang Nam Lee. B4A Gallery, New York (Sept.10 - Oct. 12, 1993). Reprinted in Korean, Hyundai Gallery, Seoul (Korea), 1997

"The Interior Landscapes" (bilingual, English/Italian) in Franca Marini. Elizabeth Harris Gallery Seo Hwa, New York (May/June 1996)

"Kyung Ja Kim: Nature' Rhythm -- Paintings of Time and Space" (bilingual, English/Korean) in Kyung Ja Kim. Seoul, Korea: Gallery Korea, 1996  

"Path Soong: Reverberation" (brochure). June Kelly Gallery, New York, 1996

"Sungpyo Han" (brochure). Myung Sook Lee Gallery, New York, 1996


Soeul, Korea: Hyundai Gallery. Published in Cooperation with the Fort Lauderdale Museum of Art, 1995. Reprinted in Korean translation, Nam June Paik. Seoul: Hyundai Gallery, 1996

"Jong Sik Lim: The Power of Abstraction" in Jong Sik Lim. Hyundai Art Gallery, Seoul, Korea, 1996

"Paik's Fragments" in The Electronic Super Highway: Travels with Nam June Paik. Cincinnati, Ohio: Carl Solway Gallery, New York: Holly Solomon Gallery, and Soeul, Korea: Hyundai Gallery. Published in cooperation with the Fort Lauderdale Museum of Art, 1995. Reprinted in Korean, Nam June Paik. Seoul: Hyundai Gallery, 1996

"Das Sichbare von Innen / Dentro de lo visible / Inside the Visible" in Gunther Selichar: Sources. Kunstverein Steyr (1995), Espai Pascual Lucas Valencia (1995), and Galerie Fotohof Salzburg (1996).

"Thomas Bang's Ironic Inwardness" in Thomas Bang Retrospektiv (bilingual exhibition catalog, Danish/English). Traveling exhibition organized by Nikolaj, Copenhagen, 1995-96

"Tense Presence-Tense" in Ruth Pastine: East Meet West. The Claremont Graduate School of Art, 1996

"Linda Schrank: Monotypes" in Linda Schrank. Sala del Consiglio, Palazzo Comunale, Lucignano, 1996

Untitled Essay, Robert Barry: "Fellow Workers" (brochure) Dusseldorf: Galerie Bugdahn (28 October - December 2, 1995)

"Paintings of Visceral Abstraction" in Groins and Plotters: Works by Andrzej Siwkiewicz. Chicago: 1112 Gallery, 1995

"Metamorphoses" in Dutch Door: Toon Kuijpers, Govert Heikoop, and Terry Thompson. Portland, Oregon: Butters Gallery, Ltd. (May 4 - 27, 1995)

"Mimmo Catania: Transponierung der Zeichen" in Schattenspung/Przeskoczenie Cienia, Zentrum fur Zeitgenossische Kunst - Ujazdowski Schloss Warschau and Museumspadagogischer Dienst Berlin, 1995

"Pamela Wye: Paintings and Drawings" (essay for brochure), Luise Ross Gallery (Feb. 25 - March 25, 1995)

"Federica Marangoni: Video Tactility" in Federica Marangoni: Fragments. Holly Solomon Gallery, New York  (March 18- April 22, 1995)

"Amplified Art" in Paolo Barrile: Earth Age, Plastic Age, ...Age (Amplified Art). Edizioni Armadio Officina, Milano, 1994

"Immanence and Containment: Paintings by William Steiger" in William Steiger. Condeso/Lawler Gallery, New York (March 1 - 26, 1994)

"The Silent Grammar of Robert Kuszek" in Robert Kuczek: Recent Work. Stephen Rosenberg, New York (Feb. 1 - March 5, 1994)

"Holding the Ground -- The Ethos in Painting: Marcia Hafif's Inventory" in Marcia Hafif: From the Inventory. Kunst Und Museumsverein Wuppertal / Kunsthalle Barmen Im Haius Der Jugend Wuppertal-Barmen (Jan. 30 - March 27, 1994)
"James Hill" in James Hill: Go There. Bill Maynes Contemporary Art, New York (May 1994)

"Koki Doktori" (bilingual, English/Hebrew) in Doktori Longing. Ramat-Gan: The Museum of Israeli Art (March 24 - May 31, 1994)

"Sedaka's Abstract Vision" in Michal Sedaka: The Writing on the Wall. Plovdiv, Bulgaria: State Art Museum (May 1994)

"Ming Fay" (exhibition brochure), Butters Gallery, Portland, Oregon (June 1- July 16, 1994)

"Joseph Nechvatal: Virus Project" (gallery announcement in French). Espace d’Art, Yvonamor Palix, Paris (March 3 - May 7, 1994)  

“Matter into Spirit: Recent Works by David Geiser and Ming Fay” (essay), Kim Foster Gallery, New York (Sept. 1994)

“Symbolic Surface” (essay), Klarfeld Perry Gallery, New York (Sept. 7 - Oct. 7, 1994)

"Marinoff's Inner-Nature" in Marinoff. Andre Zarre Gallery, New York (Sept. 8 - Oct. 1, 1994)

"Lisa Zwerling's Mythical Paradise" in Lisa Zwerling. First Street Gallery, New York (Nov. 29 - Dec. 17, 1994)


"Suspended Landscapes" (essay), M-13 / Howard Scott Gallery, New York (Dec. 1994)

"Logo Non Logo" (essay). Exhibition curated with Pierre Restany, Thread Waxing Space, New York (Nov. 17 - Dec. 23, 1994). Traveled to Art Museum, University of South Florida.

"The Post-Dialetical Index (bilingual, Italian and English)" in The Post-Dialetical Index. Lattvada Studio, Milan and Horodner Romley, NY, 1993

"The Art/Omi Experience" in ART / OMI 1992. Catalog produced by Art/Omi, New York,1993

"In the Meditative Spirit" in Michael Hoskins: Paintings 1991 - 1993. Portland, Oregon:Butters Gallery, Ltd., 1993

"Commedia is the Message: The Sculptural Icons of John Frame" in John Frame. Los Angeles, California: Jan Turner Gallery, 1993

"Where Mind Meets Body: The Expressionism of Grimanesa Amoros" (Catalog essay for exhibition) in Grimanesa Amoros: Amoros' Voyage, Javier Lumbreras Fine Art, 1993

"Room 507, Grand Hotel Orbis, Lodz (Poland)" in Josef Ramaseder: Constructionin Process IV (Oct. 6 - 8, 1993). Brochure published by Ramaseder in New York, 1994.

"Expressionism and the Romantic Self: New Paintings by Christian Peltenburg-Brechneff" (bilingual, German/English) in Christian Peltenburg=Brechneff: Paintings 1988-1993. Basel, Switzerland: Daniel Blaise Thorens Fine Art Gallery AG, 1993

"Celebrating the American Vernacular: The Paintings of Loren Munk" published by Loren Munk, New York, 1993

"Half-Truth: Performance and the Photography" in Action/Performance and the Photograph,Turner/Krull Gallery, Los Angeles (July/Aug 1993)

"Nechvatal's Visionary Computer Virus"  (bilingual, French/English) in Joseph Nechvatal: Computer Virus Project, Saline Royale at Arc et Senans, France (Sept/Nov 1993)

"Journeys Between Night and Day: Recent Paintings by Vladimir Jan Zakrzewski"(with Polish trans.) in Wtodzimlerz Jan Zakrzewski. Galeria Foksal Warszawa (April 1993)

"Time, Space, and Memory" in Jae Sook Hwang. Kwan-Hoon Gallery, Seoul, Korea (April 7 - 13, 1993)

"Nancy Graves: Translucency" in Nancy Graves: Recent Works, Fine Arts Gallery, University of Maryland, Baltimore, 1993 (Traveling Exhibition)

"Huebler's Phenomenology" in Douglas Huebler: "Variable" etc. (Text in English), F.R.A.C. Limosin (Limoges, France), 1993

"Venet's Indeterminacy" (bilingual, Japanese/English) in Bernar Venet. Person's Weekend Museum, Tokyo (Nov. 20, 1992 - Feb. 14, 1993)  

"Something About Nothing: Stone Sculptures by Sacho Sosno" in Sacho Sosno. Marisa del Re Gallery, New York, 1992

"Ludwig Sander and the Elegance of Painting" (bilingual, French/German) in Ludwig Sander. ACA Galleries, 1992

"Guntram Gersch" at Lloyd Shin Gallery, Chicago: ART LA 92 (Dec. 2 - 6, 1992)

"The Strange Case of Robert Delford Brown, Iconoclast" in IKONS: of the First National Church of the Exquisite Panic, Inc. Milan, Italy: Fondazione Mudima, 1992

"The Abstract Paintings of Kwong Lum" in Kwong Lum, New York City: Stephen Rosenberg Gallery, 1992

"Tyler Turkle's Formal Wit" in Tyler Turkle: Plastic Criteria. Tampa, Florida: Contemporary Art Museum, University of South Florida, 1992

"Declassified" (Reprinted from Real-Life Magazine #20), Horodner Romley Gallery, New York, 1992

"Die Kunst und Archeologie von Alison Knowles" in Fluxus Da Capo 1962-92 Nassauischer Kunstverein, Weisbaden (Germany), 1992

"The Formal Conceptualism of Wenda Gu" (bilingual, Italian/English) in Wenda Gu: Refound Oedipus Complex. Galleria Enrico Gariboldi, Milano, 1992

"Heroic Signs Without a Hero" (bilingual, Italian/English) in Angiola Churchill: Opere Recenti. Galleria Civica d'Arte Moderna, Palazzo del Diamanti, Ferrara (Sept. 12 - Oct. 18, 1992)

"Le Supra, L'Infra, La Metamorphose" in Excess in the Techno-Mediacratic Society. Musee Serrat et Grozon, Ville d'Arbois (France). Traveling Exhibition to Vienna, Munich and Los Angeles, 1992-93. Curated by Joseph Nechvatal

"Rabascall's Evacuation" in Joan Rabascall. Paris: Galerie Donguy, 1991

"Hot and Cold: Recent Glass Works by Michael Taylor and Concetta Mason" (brochure), Memorial Art Gallery, University of Rochester, 1991

"Marriage - Exorcism - Miralda" in Miralda. Holly Solomon Gallery, New York CIty, 1991

"The Enduring Art of the Sixties" in The Art of the Sixties: Selections from the Collections of Leo Castelli and Ileana Sonnabend. Curated by Sam Hunter (Aug. 8 - Sept. 24, 1991)

Statement, Triangle Artists' Workshop (10th Anniversary), Lisdan Gallery, Bennington College, 1991

Statement, Zigi Ben-Haim, Cologne Art Fair, 1991

"Arte Debole and the Split Subject (Matter)" in Arte Debole. Queens College Art Gallery, New York, 1991

Eric Verhal, Beeld/Spraak, Gent: Willemsonds, 1991 (bilingual, Flemish/English)

"Franz Erhard Walther and Question of Pre-Architectural Space" in Franz Erhard Walther. Zilkha Art Gallery, Wesleyan University, 1988. Reprinted and translated in German, Franz Erhard Walther, Klagenfurt: Ritter Verlag, 1990

"Marianne Heske: Mountains of the Mind" (sponsored by Norwegian Consulate), The Clocktower, New York, 1990  

"Nancy Grossman, Ariane Loopez-Huici, Aura Rosenberg, Carolee Schneemann, Joan Semmel" at Nahan Contemporary, 1990

"Dorothea Tanning: Messages" at Nahan Contemporary, 1990

"Peggy Cyphers" at E.M. Donahue, New York City, 1990

"Electrified Aura" at Nahan Contemporary, New York City, 1990

"Disruptive Signs: New Work by Arnold Mesches" in Arnold Mesches: Paintings and Collages. Easthampton Center for the Arts, Long Island, New York, 1990

"The Process of an Internal Time-Consciousness" in Jacob El Hanani. Paris: Galerie Johannes Vermeer, 1990

"Robert Barry, Vladimir Zakrzewski, Marianne Heske" at New York: Nahan Contemporary, 1990

"Peter Downsbrough: Photographs" Quatrieme Triennale, Internationale de la Photographie, Charleroi (Belgium): Musee de la Photographie

"A Methodology for American Conceptualism" in Conceptual Art. Conceptual Forms, Paris: Marcel Fleiss, 1990

"Hayes' Pragmatic American Formalism" (exhibition brochure), Stockton State College, New Jersey, 1990

"Rabascall's Evacuation" in Joan Rabascall. Paris: Galerie Donguy, 1990

"Hot and Cold: Recent Glass Works by Michael Taylor and Concetta Mason" at Memorial Art Gallery, University of Rochester, 1990

"Four Contemporary Latin American Artists"(brochure) in Contemporary Latin American Art. Tower Five Arts Gallery, SUNY College at Brockport (Feb. 24 - April 9, 1989)

"The Daniel Faust Project(ion)" (brochure), Laurence Miller Contemporary Photographs (Feb. 1 - 18, 1989)

"David Geiser's Paintings: The Detritus of the Sign" in David Geiser, Paintings '87 - '89. New York, 1989

"Ideas and Ephemera: Conceptual Art, Books and Notes 1968-88” (brochure), Real Art Ways, Hartford, CT, 1989. Curated by Leslie Tonkonow.

"Max Ernst: The Late Lithographs" at Nahan Contemporary, New York, 1989

"Disappearances" Nahan Contemporary, New York, 1989

"Concept - Decoratif" Nahan Contemporary (in collaboration with Holly Solomon Gallery), New York, 1989

"David Merkel's Cathode-Ray Condition" (brochure), Foster Goldstrum, New York, 1989

"Young K" (brochure), Rastovski Gallery, New York, 1989

"The January Show and After" (excerpt), Art Conceptuel, Une Perspective, Musee de'Art Moderne de la Ville de Paris, Paris, 1989

"Alastair Noble: At the Threshold" in Alastair B. Noble. Nerlino Gallery, New York, Nov. 1988

"Lyric Representation: Paintings by Janet Fish" in Janet Fish. Marsh Gallery, University of Richmond, 1988

"Robert Barry: le Retour au Visible" (in French) in Art Conceptuel capc. Musee d'Art Contemporain, Bordeaux, France, Oct/Nov 1988)

"On the Activity of Slowing Down" (Bilingual, Spanish/English) in Muntadas: Exposicion. Galeria Fernando Vijande, Madrid, 1985. Reprinted in excerpted form in "Muntadas: Slogans" Universidad Granada, 1987

"Color Field Painting, Reductivist Painting, and Minimal Art" in An American Renaissance: Painting and Sculpture Since 1940, Sam Hunter (editor). Museum of Art, Fort Lauderdale and Abbeville Press, New York, 1986

"Beyond Formalism: Language Models, Conceptual Art, and Environmental Art" in Hunter, ed. An American Renaissance, 1986

"Critique" in Allan Kaprow: Blindsight. Wichita State University, 1980. Reprinted in Allan Kaprow (Retrospective Catalog, 1956-86). Museum Am Ostwall, Dortmund, 1986

"Tom Gormally: Architectonics and Archetypes" in Thomas Patrick Gormally: A Selection of Sculpture, Paintings and Drawings. Blanden Memorial Art Museum, Iowa, 1984

"Introduction" to Revolutions Per Minute (The Art Record). Produced by Jeff Gordon and Ronald Feldman Fine Arts. New York, 1982 (Record and Traveling Exhibition).

"Abstract Painting: The New Pictorialism" in Sam Hunter, ed. New Directions: Contemporary American Art from the Commodities Corporation Collection, 1981. Traveling Museum exhibition curated by Sam Hunter.

"Photo/Documents, Photo/Narratives, and Photographs" in Hunter, ed. New Directions, 1981

“Komar and Melamid: A Retrospective” (untitled Essay). Ulrich Museum of Art, Wichita State University, 1980. Exhibition curated by Robert C. Morgan.

"Introduction," Artists and Books: The Literal Use of Time. Ulrich Museum of Art, Wichita State University, 1979-80. Exhibition curated by Robert C. Morgan.

"Happenings, Environments, and Activities by Allan Kaprow: An Exhibition of Photo-Documents and Videotapes" (essay), Ulrich Museum of Art, Wichita State University, 1979. Exhibition curated by Robert C. Morgan.



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